A Reader's Guide to Fifty Modern European Poets

By John Pilling | Go to book overview

Hugo von Hofmannsthal (1874-1929)

Born in Vienna of prosperous and cultured parents. Became famous in Viennese intellectual circles at the age of sixteen for the flawless poems he published under the pen name 'Loris'. Studied Romance languages and literatures. Met Stefan George in 1891 and corresponded with him until 1906, when their friendship became strained. Suffered a painful intellectual crisis at the turn of the century, after which he wrote almost no poetry. Commenced a sometimes difficult relationship with the composer Richard Strauss in 1906, devoting much of his energy thereafter to the provision of libretti in perhaps the most famous of collaborations between literary and musical giants. Composed chamber plays of a decadent Symbolist kind before 1900, but later became involved with the world of the public theatre and throughout the rest of his life, having taken up residence in the palace at Rodaun near Vienna, sought to inculcate a humanistic and pan-European culture, often adapting the works of others in a manner which has been much misunderstood. Instrumental with Max Reinhardt and others in founding the now famous Salzburg Festival in 1920. Died suddenly of a heart attack whilst preparing to attend the funeral of his son, who had committed suicide. Wrongly assumed to be a rather marginal figure in the English-speaking world, and yet to be accorded the recognition that other luminaries of turn-of-the-century Vienna have subsequently enjoyed.

'Be absolute for death', the disguised Duke counsels the imprisoned Claudio in Act 3 of Shakespeare's darkest and most

-88-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
A Reader's Guide to Fifty Modern European Poets
Table of contents

Table of contents

  • Title Page 3
  • Contents 7
  • Preface 9
  • Charles Baudelaire (1821-67) 13
  • Stéphane Mallarmé (1842-98) 23
  • Paul Verlaine (1844-96) 32
  • Tristan Corbière (1845-75) 40
  • Arthur Rimbaud (1854-91) 47
  • Constantine Cavafy (1863-1933) 56
  • Stefan George (1868-1933) 64
  • Christian Morgenstern (1871-1914) 73
  • Paul Valéry (1871-1945) 80
  • Hugo Von Hofmannsthal (1874-1929) 88
  • Rainer Maria Rilke (1875-1926) 97
  • Antonio Machado (1875-1939) 108
  • Guillaume Apollinaire (1880-1918) 118
  • Aleksandr Blok (1880-1921) 127
  • Juan Ramón Jiménez (1881-1958) 136
  • Umberto Saba (1883-1957) 143
  • Dino Campana (1885-1932) 150
  • Gottfried Benn (1886-1956) 158
  • Georg Trakl (1887-1914) 166
  • Fernando Pessoa (1888-1935) 173
  • Giuseppe Ungaretti (1888-1970) 181
  • Pierre Reverdy (1889-1960) 190
  • Anna Akhmatova (1889-1966) 197
  • Boris Pasternak (1890-1960) 206
  • Osip Mandelstam (1891-1938 215
  • César Vallejo (1892-1938) 225
  • Marina Tsvetaeva (1892-1941) 234
  • Vladimir Mayakovsky (1893-1930) 243
  • Paul Éluard (1895-1952) 259
  • Eugenio Montale (1896-1981) 266
  • Federico Garcia Lorca (1898-1936) 276
  • Bertolt Brecht (1898-1956) 284
  • Jorge Luis Borges (born 1899) 292
  • George Seferis (1900-71 ) 301
  • Salvatore Quasimodo (1901-68) 308
  • Lucio Piccolo (1901-69) 316
  • Attila József (1902-37) 324
  • Pablo Neruda (1904-73) 333
  • René Char (born 1907) 344
  • Cesare Pavese (1908-50) 351
  • Yannis Ritsos (born 1909) 360
  • Octavio Paz (born 1914) 368
  • Johannes Bobrowski (1917-65) 376
  • Paul Celan (1920-70) 383
  • Vasko Popa (born 1922) 392
  • Yves Bonnefoy (born 1923) 400
  • Yehuda Amichai (born 1924) 408
  • Zbigniew Herbert (born 1924) 416
  • Joseph Brodsky (born 1940) 424
  • Bibliographies 432
  • Index 461
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 479

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.