A Reader's Guide to Fifty Modern European Poets

By John Pilling | Go to book overview

Marina Tsvetaeva (1892-1941)

Born in Moscow, the daughter of an eminent professor and a cultured mother. Wrote poetry in German as well as in Russian as a child. Educated in boarding-schools in Switzerland and Southern Germany; attended lectures at the Sorbonne during a brief residence in Paris; spent the summer of 1910 in Dresden. Deeply influenced by the poet Voloshin and those who gathered at his Crimean residence in Koktebel, where she fell in love with Sergei Efron, whom she married. Gave birth to a precocious daughter in 1912 and later to another daughter who soon died, and to a son. Emotionally involved with Mandelstam in 1915 -- 16. Culturally supported her husband's activities on behalf of the White cause in the Civil War and reunited with him on his evacuation to Prague in 1922. Lived in the Prague suburbs until 1925, during which time she fell in love with another White officer. Reunited with her husband in Paris in 1926. Condemned by the Russian émigrés in Paris for defending the poetry of Mayakovsky and thereafter ostracized by them. Corresponded with Rilke and Pasternak. Remained in the vicinity of Paris until 1939, her husband having begun to work for the Soviet secret police and been implicated in the assassination of Trotsky's son. Wrote primarily in prose in the 1930s. Sought relief from a troubled marriage in a number of liaisons, but returned to Russia in 1939 in search of her husband. Encountered hostility on her return to Moscow, where she met Anna Akhmatova for the first time. Engaged in translation in an attempt to support herself. Evacuated from Moscow in 1941 to the provincial town of Elabuga where, friendless and unable to find work, she died by her own hand. Still regarded with suspicion by

-234-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
A Reader's Guide to Fifty Modern European Poets
Table of contents

Table of contents

  • Title Page 3
  • Contents 7
  • Preface 9
  • Charles Baudelaire (1821-67) 13
  • Stéphane Mallarmé (1842-98) 23
  • Paul Verlaine (1844-96) 32
  • Tristan Corbière (1845-75) 40
  • Arthur Rimbaud (1854-91) 47
  • Constantine Cavafy (1863-1933) 56
  • Stefan George (1868-1933) 64
  • Christian Morgenstern (1871-1914) 73
  • Paul Valéry (1871-1945) 80
  • Hugo Von Hofmannsthal (1874-1929) 88
  • Rainer Maria Rilke (1875-1926) 97
  • Antonio Machado (1875-1939) 108
  • Guillaume Apollinaire (1880-1918) 118
  • Aleksandr Blok (1880-1921) 127
  • Juan Ramón Jiménez (1881-1958) 136
  • Umberto Saba (1883-1957) 143
  • Dino Campana (1885-1932) 150
  • Gottfried Benn (1886-1956) 158
  • Georg Trakl (1887-1914) 166
  • Fernando Pessoa (1888-1935) 173
  • Giuseppe Ungaretti (1888-1970) 181
  • Pierre Reverdy (1889-1960) 190
  • Anna Akhmatova (1889-1966) 197
  • Boris Pasternak (1890-1960) 206
  • Osip Mandelstam (1891-1938 215
  • César Vallejo (1892-1938) 225
  • Marina Tsvetaeva (1892-1941) 234
  • Vladimir Mayakovsky (1893-1930) 243
  • Paul Éluard (1895-1952) 259
  • Eugenio Montale (1896-1981) 266
  • Federico Garcia Lorca (1898-1936) 276
  • Bertolt Brecht (1898-1956) 284
  • Jorge Luis Borges (born 1899) 292
  • George Seferis (1900-71 ) 301
  • Salvatore Quasimodo (1901-68) 308
  • Lucio Piccolo (1901-69) 316
  • Attila József (1902-37) 324
  • Pablo Neruda (1904-73) 333
  • René Char (born 1907) 344
  • Cesare Pavese (1908-50) 351
  • Yannis Ritsos (born 1909) 360
  • Octavio Paz (born 1914) 368
  • Johannes Bobrowski (1917-65) 376
  • Paul Celan (1920-70) 383
  • Vasko Popa (born 1922) 392
  • Yves Bonnefoy (born 1923) 400
  • Yehuda Amichai (born 1924) 408
  • Zbigniew Herbert (born 1924) 416
  • Joseph Brodsky (born 1940) 424
  • Bibliographies 432
  • Index 461
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 479

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.