11 Poetry as No Big Deal I remember Jeremy, a little English boy whose mother had to tell him that his music lessons were ending. His music teacher had decided he wasn't musical. He looked crestfallen and said to his mother, "But I feel musical." Many people feel poetic. Capable of poetry. Sometimes they feel that way even though they have no particular idea or image or feeling they want to write about. Just a feeling that they would like to write a poem and that they could write a good one. It's a feeling that inhabits the midparts of the body anywhere between the gut and the breast. Most of us * sadly learn to put those feelings away. They lead only to disappointment. We search for what to write a poem about, and either we don't come up with anything or, worse yet, we do -- in which case we produce a piece of writing that is poetic in all the worst senses of the word: sticky, mawkish, embarrassing. But it turns out that this is the worst possible approach to writ- ing poetry -- searching for what to write a poem about-particularly if we are inexperienced. It turns out that there is a completely dif- ferent approach, and that is to ignore almost entirely the whole question of what to write about. Assume simply (and correctly) that you have plenty to write poems about and that your job is to keep ____________________ | * | I write here as a non-poet, that is, someone who enjoyed trying to write profound poems as an adolescent, got over it when introduced to sophistication, and then re- stricted himself to writing a birthday poem to a loved one about every seven years. But in the last couple of years I have enjoyed writing poems much more frequently in the fashion described' in this chapter. | -101- |