The Flower and the Castle: An Introduction to Modern Drama

By Maurice Valency | Go to book overview

Notes
Introduction
1. Barbey d'Aurevilly, Le Roman contemporain ( Paris, 1902), p. 278.
2. J. P. Eckermann, Gespräche mit Goethe ( Leipzig, 1909), Wednesday, February 27, 1827, James Huneker, Iconoclasts ( London, n.d.) ( 1908). Bernhard Diebold, Anarchie in Drama ( Frankfurt, 1925). Joseph Wood Krutch, Modernism in Modern Drama ( Ithaca, New York, 1953), pp. 22, 42, 131. F. L. Lucas, The Drama of Ibsen and Strindberg ( London, 1962), passim.
3. Cf. T. S. Eliot, "Hamlet and His Problems" in The Sacred Wood ( London, 1920), pp. 87 ff.
4. Quoted by Baudelaire in "Théophile Gautier," L'Art romantique. In Œuvres complètes de Baudelaire ( Paris, La Pléiade, 1954), p. 1035.
Tragedy and Comedy
1. "In works of genius there are clearly marked differences of subject and shades of style. . . . A subject for comedy refuses to be handled in tragic verse; the banquet of Thyestes disdains to be rehearsed in lines suited to daily life." Horace, Ars poetica, 86. Cf. Erich Auerbach, Mimesis ( New York, 1957), pp. 316 ff.
2. Aristotle, Poetics, 1449a3l; 1454a16; 1454b8 ff. ( Bywater translation). Cf. Trissino, Poetica ( 1529), in Opere ( Verona, 1729), VI, 120, 127, transl. in Gilbert, Literary Criticism: Plato to Dryden

-405-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
The Flower and the Castle: An Introduction to Modern Drama
Table of contents

Table of contents

  • Title Page iii
  • Foreword v
  • Contents ix
  • Introduction 1
  • Tragedy and Comedy 11
  • The New Drama 58
  • Realism 91
  • Ibsen 118
  • Strindberg 238
  • The Flower and the Castle 363
  • Notes 405
  • A Selected Bibliography 429
  • Index 445
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 468

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.