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The Musorgsky Reader: A Life of Modeste Petrovich Musorgsky in Letters and Documents

By: Jay Leyda; Sergei Bertensson et al. | Book details

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Page 207
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theatrical production, and the size, therefore, will be quite imposing. The transcription is by the author. In view of the approaching summer season, the subscription will shortly be closed. The Klavierauszug will appear next fall.


98. To VLADIMIR STASOV

[ May 3, 1873]

DEAR, SPLENDID, MOST SPLENDID généralissime--

How important! " Fomka, Yepikhan! behind the boyar!" "How important!"32I am utterly happy. Thank you, my dear, I am ready to talk, write and do all sorts of foolishness. Our common cause, dear to us, is safe.

MUSORYANIN

Mission to Liszt

. . . My acquaintance with Fr. Liszt grew out of the policy of our publishing house. I went to Weimar for the first time on the advice of Musorgsky and C. A. Cui to show him the piano scores of the operas, Dargomizhsky's Stone Guest and Cui's William Ratcliff, which had just come off the press. In order to make the text of The Stone Guest intelligible to him, a German or French translation had to be added ( Ratcliff was published with both Russian and German texts). Then M. P. Musorgsky, who had mastered the German language, undertook to interline Bodenstedt's translation of The Stone Guest, which seemed quite close to the original, and gave me this copy for Liszt . . .33--VASILI BESSEL


98a. ADELHEID VON SCHORN34 to VASILI BESSEL, St. Petersburg [Extracts]

Weimar, 19 May [O.S. May 7], 1873

HIGHLY ESTEEMED M. BESSEL!

It is indeed a pity that you left our Weimar so soon; reading my letter, you will undoubtedly agree with me that it could not have been more unfortunate for you, for Russian musicians and for all that is represented by your interests, for you to have left on the eve of that

____________________
32
From the Kromy scene of Boris--the peasants are ridiculing the captured boyar.
33
Bessel must have kept this copy for himself, preparing Liszt's copy otherwise, for Musorgsky's labor of love, dated June 1872, is still in Leningrad.
34
The Canoness Adelheid von Schorn was one of several noble female aides to the aged Liszt.

-207-

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