The Tuning of the Word: The Musico-Literary Poetics of the Symbolist Movement by David Michael Hertz

The Tuning of the Word: The Musico-Literary Poetics of the Symbolist Movement

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Table of Contents

Notes

Introduction

1.	See the commentary by Walter Kaufmann in his translation of The Birth of Tragedy and the Case of Wagner ( New York: Random House, 1967), p. 15.
2.	( Princeton: Princeton University Press, 1961).
3.	Both Arthur Wenk and Robin Holloway have made similar observa- tions. This distinction is undeniable and vitally important. See Arthur Wenk, Claude Debussy and the Poets ( Berkeley: University of California Press, 1976), pp. 246-47; Robin Holloway, Debussy and Wagner ( London: Eulenburg, 1979), p. 43.

1.Periodicity and Correspondences in Poetry and Music

1.	Walter Pater, The Renaissance: Studies in Art and Poetry, ed. Donald L. Hill ( Berkeley: University of California Press, 1980), p. 106.
2.	See Stéphane Mallarmé, Oeuvres complètes ( Paris: Gallimard, 1945), p. 156.
3.	Edward Lockspeiser, Music and Painting ( London: Cassell, 1973), p. 15. For Wagner's ideas on the unconscious, see Richard Wagner, Sämtliche Sch- riften und Dichtungen, vol. 9, Beethoven ( Leipzig: Siegel, 1900), pp. 75-85.
4.	Two of the newest studies are Rudolf Arnheim, The Power of the Center ( Berkeley: University of California Press, 1982) and E. H. Gombrich, The Im- age and the Eye ( Ithaca: Cornell University Press, 1982).
5.	New Grove Dictionary of Music and Musicians, 1980, s.v. "rhythm," by Walther Dürr and Walter Gerstenberg; Harvard Dictionary of Music, 2nd ed., s.v. "rhythm"; Oxford English Dictionary, 1926 ed., s.v. "rhythm"; Webster's Third New International Dictionary (unabridged), s.v. "rhythm."
6.	L'Ancienne rhétorique," Communications 16 ( 1970): 222.
7.	Trans. W. Rhys Roberts ( New York: Random House, 1954), p. 182.
8.	Barthes, "L'Ancienne rhétorique"," p. 222.
9.	( London: Oxford University Press, 1970.
10.	Ibid., p. 21.
11.	Ibid.
12.	Harold S. Powers, "Language Models and Musical Analysis," Ethno- musicology Uanuary 1980): 51.
13.	Ibid.
14.	as quoted in Powers.
15.	New Grove Dictionmy, s.v. "rhythm."

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Publication Information: Book Title: The Tuning of the Word: The Musico-Literary Poetics of the Symbolist Movement. Contributors: David Michael Hertz - author. Publisher: Southern Illinois University Press. Place of Publication: Carbondale, IL. Publication Year: 1987. Page Number: 217.

Title Page

Contents

Acknowledgments

Introduction

1: Periodicity And Correspondences In Poetry and Music

2: Wagner and the French

3: Mallarmé and Debussy

4: The Song Form And The Symbolist Aesthetic

5: The Book of The Hanging Gardens

6: The Lyric Play And the Tone Poem

7: Symbolist Opera

Conclusion

Notes

Bibliography

Index

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