TO THE SERIES
ARTHUR CONAN DOYLE told his Strand editor, Herbert Greenhough Smith ( 1855-1935), that 'A story always comes to me as an organic thing and I never can recast it without the Life going out of it.'1
On the whole, this certainly seems to describe Conan Doyle's method with the Sherlock Holmes stories, long and short. Such manuscript evidence as survives (approximately half the stories) generally bears this out: there is remarkably little revision. Sketches or scenarios are another matter. Conan Doyle was no more bound by these at the end of his literary life than at the beginning, whence scraps of paper survive to tell us of 221B Upper Baker Street where lived Ormond Sacker and J. Sherrinford Holmes. But very little such evidence is currently available for analysis.
Conan Doyle's relationship with his most famous creation was far from the silly label 'The Man Who Hated Sherlock Holmes': equally, there was no indulgence in it. Though the somewhat too liberal Puritan Micah Clarke was perhaps dearer to him than Holmes, Micah proved unable to sustain a sequel to the eponymous novel of 1889. By contrast, 'Sherlock' (as his creator irreverently alluded to him when not creating him) proved his capacity for renewal 59 times (which Conan Doyle called 'a striking example of the patience and loyalty of the British public'). He dropped Holmes in 1893, apparently into the Reichenbach Falls, as a matter of literary integrity: he did not intend to be written off as 'the Holmes man'. But public clamour turned Holmes into an economic asset that could not be ignored. Even so, Conan Doyle could not have continued to write about____________________