Auschwitz: True Tales from a Grotesque Land

By Sara Nomberg-Przytyk; Eli Pefferkorn et al. | Go to book overview

MARIE AND ODETTE

Odette was French. She was brought to Auschwitz in January 1944. At that time I was still on the block for newcomers. Odette was about fifteen years old, and her mother could not have been older than thirty. They resembled each other, and the mother was young enough so that they looked like sisters. They were both very pretty -- slim, with brown eyes and prominent mouths. Since they spoke only French they did not understand the orders that the sztubowa barked at them, and as a consequence they absorbed many a beating. On several occasions I served as their interpreter; it was perhaps for that reason that they trusted me.

Marie -- that was the mother's name -- was a seamstress. Odette was still a student. They were Parisians. The husband had been shot very soon after the Germans entered Paris. I did not ask why they were arrested. They did not have to confide in me.

One evening, she said to me, "You probably think that they arrested Odette and me because of my activities. Would you believe that it was my little Odette who was fighting against the Germans? I don't know how they happened to get on her trail, but when they came to arrest her I let them take me. It didn't work. They just waited in the house for somebody else to show up. When Odette came they took her too. To this day they don't know who's who. That's how we escaped one severe beating. This way we share the beatings. Now we are in Auschwitz, which we won't be able to survive, because I have a weak heart and Odette is too brave."

Meanwhile, I envied them because they were together. When they cuddled up together, lying on the hard bed, they must have dreamt that they were together in their own home. They went through the selection. Later on, when I went to the hospital I failed to see them.

The spring of 1944 was cold and ugly. I remember how we yearned for warm weather. It was not absolutely vital to us, but we hoped for warm weather for the sake of the women who were coming to the infirmary with frost bite on their arms and legs.

-63-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Auschwitz: True Tales from a Grotesque Land
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • Translator's Foreword ix
  • Alienation 3
  • Exchange 8
  • New Arrivals 13
  • Without Pity 17
  • Death of the Zugang 22
  • Salvation 27
  • The Roar of the Beast 31
  • The Infirmary 36
  • What Kind of a Person Was Orli Reichert? 41
  • The Fight for Masha's Life 43
  • A Plate of Soup 45
  • Erika's Red Triangle 48
  • A Peculiar Roll Call 51
  • The Block of Death 53
  • Morituri Te Salutant 58
  • Marie and Odette 63
  • Esther's First Born 67
  • Old Words -- New Meanings 72
  • Children 79
  • A Living Torch 81
  • The Little Gypsy 83
  • Taut as a String 85
  • The Extermination of the Midgets 89
  • Natasha's Triumph 94
  • The Price of Life 98
  • The Lovers of Auschwitz 100
  • The Dance of the Rabbis 105
  • Revenge of a Dancer 107
  • The Verdict 110
  • Friendly Meetings 114
  • Old Women 118
  • Ilya Ehrenburg Addresses Us 121
  • The New Year's Celebration 123
  • The Bewitched Sleigh 127
  • The Camp Blanket 132
  • In Pursuit of Life 137
  • The Plagues of Egypt 142
  • Without the Escorts 146
  • The First Days of Freedom 151
  • The Road Back 155
  • Editors' Afterword 163
  • Glossary 183
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 185

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.