The Woman with the Artistic Brush: A Life History of Yoruba Batik Artist Nikoe Davies

By Kim Marie Vaz | Go to book overview

9 The Woman with the Artistic Brush

In the 1960s people thought that artists were crazy or dropouts from society. 1 Back then, most people would not allow their children to become artists. They thought all artists were drug addicts. We, the artists, dressed differently from the local people since we designed our own clothes. That caused the local people to insult us, saying that we could not change our clothes to fit the new fashions. They called us all idol worshipers because we did not attend Christian or Muslim services. We believed in traditional religion--the religion we had before these other religions were introduced. In the past, people who sold firewood were the poorest people in the society. If the local people saw an artist (who worked in pen and ink on wood) carrying plywood, they assumed that he or she was poor. Only now, as people see that I am using a car, are they bringing their own children to my art center. Now that they see that I have built a house, they believe that the job of artist is a job that pays, and they let their children come to my center. Members of the center are generally unmarried women and men under the age of thirty.

When I left my first husband in 1986, I worked alone in my own house. There was a man who used to buy plastic from me. He said he had a daughter who wanted to work for me. She wanted to clean my

-81-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
The Woman with the Artistic Brush: A Life History of Yoruba Batik Artist Nikoe Davies
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • Note on Orthography xi
  • Acknowledgments xiii
  • Introduction xv
  • 1 - Come and Buy Leaves!"" 3
  • 2 - No Man Will Pay Bride-Price for Me 16
  • 3 - I Went to Learn About Life 27
  • 5 - Iya (mama) Labayọ 49
  • 6 - Co-Wife: My Friend and My Enemy 55
  • 7 - I Will Not Mention My Enemy's Name 65
  • 8 - Strong Women 76
  • 9 - The Woman with the Artistic Brush 81
  • Appendix Muniratu Temilade Bello 89
  • Notes 105
  • Glossary 123
  • Index 131
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 140

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.