Word and Object

This familiar desk manifests its presence by resisting my pressures and by deflecting light to my eyes. Physical things generally, however remote, become known to us only through the effects which they help to induce at our sensory surfaces. Yet our common-sense talk of physical things goes forward without benefit of explanations in more intimately sensory terms. Entification begins at arm's length; the points of condensation in the primordial conceptual scheme are things glimpsed, not glimpses. In this there is little cause for wonder. Each of us learns his language from other people, through the observable mouthing of words under conspicuously intersubjective circumstances. Linguistically, and hence conceptually, the things in sharpest focus are the things that are public enough to be talked of publicly, common and conspicuous enough to be talked of often, and near enough to sense to be quickly identified and learned by name; it is to these that words apply first and foremost.

Talk of subjective sense qualities comes mainly as a derivative idiom. When one tries to describe a particular sensory quality, he typically resorts to reference to public things -- describing a color as orange or heliotrope, a smell as like that of rotten eggs. Just as one sees his nose best in a mirror, removed to half the optimum focal distance, so also he best identifies his sense data by reflecting them in external objects.

Impressed with the fact that we know external things only mediately through our senses, philosophers from Berkeley onward have

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