The Choreographic Art: An Outline of Its Principles and Craft

By Peggy Van Praagh; Peter Brinson et al. | Go to book overview

INDEX
by Vera Brinson
Adam, Adolphe, 33, 43, 154
Adams, Norman, 309
American Ballet Theatre, 110
Angiolini, Gasparo, 20, 24, 143
Anouilh, Jean, 125
Antonio (Antonio Ruiz), 190
Aplvor, Denis, 91, 153, 309
Appia, Adolph, 59
Ashton, Sir Frederick: assessment of, 83- 85, 262; ballet, abstract, and, 134; ballet, mood, and, 82, 235; British school, and, 181; choreography, on, 129, 132, 207, 208, 212, 261, 262, 318; collaborators, and, 149, 164, 168, 247- 249; comparison with others, 86, 87, 97, 195, 214; corps de ballet, and, 139, 232, 234-236, 238; finales, and, 244; Lambert's, Constant, influence on, 124, 158; Massine's influence on, 220; methods of work, 193, 205, 207, 212, 217, 243, 248, 251, 258, 259; music, and, 152, 158, 259, 318; Nijinska's influence on, 77; pas de deux, and, 226, 228, 229; pas seul, and, 222; pas de trois, and, 230; Pavlova's influence on, 79; Petipa's influence on, 234; Rambert's influence on, 147; vocabulary of, 188, 191, 197, 219, 228, 248
Atkinson, Madge, 195
Aumer, Jean, 28
Babilée, Jean, 105, 185
Bach, J. S., 53, 316
Bakhrushin State Theatrical Museum, 297
Bakst, Leon, 59, 60, 64, 67, 71, 72, 74, 124, 168
Balachino, 39
Balanchine, George: American School and, 95-99, 101, 102, 181, 195, assessment of, 96-98; ballet, abstract, and, 96, 135, 153, 158, 243; choreography, on, 206, 213; collaborators, and, 197, 247; comparison with others, 82, 90, 97, 99, 100, 103, 195, 206, 226, 234, 240, 243; corps de ballet, and, 232, 237; development, 7, 76, 77, 78, 79; Diaghilev, and, 78, 146, 234; Goleisovsky's influence on, 78, 112; influence of, 103, 108, 109; methods of work, 200, 206, 207, 213, 229, 240, 243; music, and, 90, 153, 156-159, 240; pas de deux, and, 229; Petipa, and, 78, 96, 229, 232, 234; Stravinsky, and, 90, 149; vocabulary of, 96-98, 188
Ballet Caravan, 98
Ballet, classical, schools of, American, 95 ff., 102, 181, 195; British, 4, 84, 180, 181, 184, 186, 188, 191, 192, 202; Danish, 4, 35, 36, 37, 47, 108, 109, 180, 186; French, 4, 16, 35, 36, 37, 41, 43, 46, 47, 51, 104, 109, 180, 181, 184, 185, 186, 187, 319 ff.; Italian, 4, 30, 31, 41, 44, 45, 46, 50 ff., 51, 180, 181, 184, 185, 186, 187, 188, 319, 325 ff.; Russian, 4, 44, 46, 51, 104, 180, 181, 184, 185, 186, 187, 188, 250; Soviet, 111 ff., 187, 188, 338
Ballet de Cour, 13, 15 ff.
Ballets and Divertissements, 346-371, and: Acis and Galatea, 46, 112; Adam Zero, 87, 88, 346; Afternoon; of a Faun, 101, 228, 239, 346; Age of Anxiety, 101, 346; Agon, 97, 346; Alexander the Great, 27; Algues, Les, 105, 107, 126, 346; Amor, 44; Annabel Lee, 106, 347; Antigone, 89, 91, 236, 347; Apolion Musagète, 78, 96, 347; Apparitions, 84, 93, 347; Après-Midi d'un Faune, L', 69, 70, 71, 72, 73-193, 220, 233, 251, 268, 347; Aurora's Wedding, 78, 267, 347. Baiser de la Fée, Le, 90, 347; Bal, Le, 265, 347; Ballet Comique de la Reine, 129, 348; Ballet de la Jeunesse, 348; Ballet de la Nuit, 15; Ballet de la Paix, 17; Ballet du Roy, 13; Ballet Imperial, 96, 135, 188, 237, 348; Barn Dance, 98, 348; Bayadère, La, 48, 55, 348; Beauty and the Beast, 89, 348; Biches, Les, 76, 234, 348; Big City, The, 86, 195, 348; Billy the Kid, 98, 99, 130, 348; Birthday Offering, 85, 135, 221, 230, 348; Black Crook, The, 94, 349; Blood Wedding, 88, 91, 139, 153, 236, 244, 349; Bonne- Bouche, 89, 230, 349; Bourrée Fantasque, 247, 349; Burrow, The, 90, 91, 139, 153, 236, 244, 349, Carmen, 104, 105, 125, 227, 349; Carnaval, Le, 64, 65, 124, 168, 230, 349; Casse-Noisette (Nutcracker), 53, 113, 125, 144, 145, 268, 349; Caterina, 37, 349; Chatte, La, 265, 349; Checkmate, 82, 130, 238, 257, 349; Chopiniana (see Les Sylphides); Choreatium, 76, 350; Cinderella, 117, 234, 236, 248, 350; Comus, 88, 350; Concerto Barocco, 96, 97, 351; Concerto de Greig, 105, 351; Conflicts, 91, 351; Contes Russes, Les, 73, 75, 351; Coppélia, 41, 42, 43, 53, 125, 132, 151, 190, 241, 264, 268, 351; Coq d'Or, Le, 64, 118, 351;

-377-

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