Music in the English Courtly Masque, 1604-1640

By Peter Walls | Go to book overview
List of Music Examples
1.1. Maurice Webster, 'Mascarada', bars 22-35 32
2.1. Nicholas Lanier, 'Bring away this sacred tree', 52
2.2. Alfonso Ferrabosco II, 'Come away', 55
2.3. (a) Thomas Campion, 'Come away arm'd with Love's delights', bars 1-2; (b) Alfonso Ferrabosco II, Come home my troubled thoughts', bars 18-23 56
2.4. John Dowland,, 'Sweet stay awhile', bars 1-5 57
2.5. Alfonso Ferrabosco II, Alman, bars 1-16 57
2.6. Alfonso Ferrabosco II, 'If all the ages of the earth', bars 9-16 58
2.7. Alfonso Ferrabosco II, ' How near to good', bars 1-15 59
2.8. Alfonso Ferrabosco II, If all these cupids', bars 1-6 60
2.9. Alfonso Ferrabosco II, 'Sing the noblesse of his race', bars 8-16 61
2.10. Alfonso Ferrabosco II, 'Why stays the bridegroom'62
2.11. Alfonso Ferrabosco II, 'Had those that dwell in error foul', bars 1-9 and 17-25 64
2.12. Alfonso Ferrabosco II, 'So Beauty on the waters stood', bars 9-16 65
2.13. Alfonso Ferrabosco II, 'Yes, were the Loves', bars 10-20 65
2.14. Alfonso Ferrabosco II, 'Drown not with tears', bars 1-5 66
2.15. John Dowland, 'Up merry mates' bars 8-15 67
2.16. Thomas Campion, 'Now hath Flora' bars 17-21 68
2.17. Thomas Campion, 'Come away, bring thy golden theft', bars 15-18 69
2.18. Thomas Campion, 'Woo her and win her', bars 1-6 70
2.19. John [Giovanni] Coprario, 'Go happy man', bars 1-3 and 11-17 70
2.20. John [Giovanni] Coprario, 'While dancing rests', bars 1-5 71
2.21. Alfonso Ferrabosco II, 'Why stays the bridegroom', bars 19-28, from GB-Och, Mus. 439 73
2.22. Nicholas Lanier, 'Weep no more', bars 1-15 74

-xv-

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