RICHARD POIRIER


The Minority Within

Like all his other theories, Mailer's theories about the relations between the sexes reveal his intuitive taste for "war," for the conflict by which one at last delineates the true form of oneself and of others. "War" is only an occasion, however, for his effort to discover the minority element within any person, constituency, or force which might be engaged in a "war." And it is this minority element which has the most beneficially corrosive effect upon form, forcing it to dispense with its merely acquired or protective or decorative attributes. It might be more accurate to say, in dealing with this very slippery subject, that "war" provides the context within which any creative minority pressure can assert itself formatively within society, the self, or a book.

This feature of Mailer is more complicated than one might infer from the sometimes simplified dichotomies in which he indulges. The minority element is not equivalent, that is, to one side in the "war," the dualisms or oppositions found everywhere in his work. The minority is not God or the Devil, Black or white, woman or man. Rather it is that element in each which has somehow been repressed or stifled by conformity to system—including systematic dialectical opposition—or by fear of some power, like death, which is altogether larger than the ostensible, necessarily more manageable opponent apparently assigned by history. The minority element in males or Blacks or God is the result of their inward sense of inferiority which the outward or visible opposition from women or whites or the Devil did not of itself necessarily create. Blacks do not feel inferior to whites so much as to the psychotic brilliance created and, at once, thwarted within themselves by the accident of white oppres

____________________
From Norman Mailer. Copyright © 1972 by Richard Poirier. The Viking Press.

-85-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Norman Mailer
Table of contents

Table of contents

  • Norman Mailer *
  • Contents *
  • Editor's Note ix
  • Introduction 1
  • The Angels Are White 7
  • The Early Novels 17
  • The Aesthetics of Norman Mailer 27
  • On the Parapet 33
  • Mailer's New Style 51
  • My Mailer Problem 65
  • Male Chauvinist? 79
  • The Minority Within 85
  • The Naked, the Dead, and the Machine 115
  • "The Armies of the Night" 127
  • "The Executioner's Song" 139
  • The Taking of the Moon 143
  • Sex, Creativity and God 167
  • The Prisoner as Creator in "The Executioner's Song" 183
  • Norman in Egypt: "Ancient Evenings" 193
  • Chronology 201
  • Contributors 203
  • Bibliography 205
  • Acknowledgments 207
  • Index 209
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 213

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.