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Ernest Hemingway's A Farewell to Arms

By: Harold Bloom | Book details

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Acknowledgments
"The Novel as Pure Poetry" (originally entitled "Hemingway's A Farewell to Arms: The Novel as Pure Poetry") by Daniel J. Schneider from Modern Fiction Studies 14, no. 3 ( Autumn 1968), © 1968 by the Purdue Research Foundation, West Lafayette, Indiana.Reprinted by permission.
"Tragic Form in A Farewell to Arms" by Robert Merrill from American Literature 45, no. 4 ( January 1974), © 1974 by Duke University Press.Reprinted by permission.
"A Farewell to Arms: A Dream Book" by William Adair from The Journal of Narrative Technique 5, no. 1 ( January 1975), © 1975 by Eastern Michigan University Press. Reprinted by permission.
"Going Back" (originally entitled "Introduction: Going Back") by Michael S. Reynolds from Hemingway's First War: The Making of A Farewell to Arms by Michael S. Reynolds, © 1976 by Princeton University Press.Reprinted by permission of Princeton University Press.
"Hemingway's 'Resentful Cryptogram'" (originally entitled "A Farewell to Arms: Hemingway's 'Resentful Cryptogram' ") by Judith Fetterley from Journal of Popular Culture 10, no. 1 ( Summer 1976), © 1976 by Ray B. Browne.Reprinted by permission of the publisher.
"The Sense of an Ending in A Farewell to Arms" by Bernard Oldsey from Modern Fiction Studies 23, no. 4 ( Winter 1977-78), © 1977 by the Purdue Research Foundation, West Lafayette, Indiana.Reprinted by permission.
"Frederic Henry's Escape and the Pose of Passivity" by Scott Donaldson from Hemingway: A Revaluation, edited by Donald R. Noble, © 1983 by Whitson Publishing Co.Reprinted by permission. The notes have been omitted.
"Pseudoautobiography and Personal Metaphor" (originally entitled "A Farewell to Arms: Pseudoautobiography and Personal Metaphor") by Millicent Bell from Ernest Hemingway: The Writer in Context, edited by James Nagel, © 1984 by the Board of Regents of the University of Wisconsin System

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