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| | INDEX | | After the Fall, 104 -5 | | | Alger, Horatio, 12 | | | All My Sons, 33 -34, 39, 50, 67, 71, 104 | | | "American Theater, The," 154 n.20 | | | Atkinson, Brooks, 5 | | | Balzac, Honoré de, 67 | | | Barnwell, George, 17 | | | Bates, Barclay W., 152 | | | Beckerman, Bernard, 122 | | | Ben, 86 ; and Linda, 118 ; and Willy, 19, 62, 64, 70, 121, 145, 150 ; and Willy's suicide, 150 | | | Bentley, Eric, 2, 59, 108 : on Miller, 153 n.15, 154 -55n.28 | | | Bernard, 85 -86; and Willy, 25, 86, 105 | | | Beyer, William: on Linda, 155 -56n.37 | | | Bible, the, 51 | | | Biff: and Ben, 138 ; and epiphany, 110 ; and failure, 25, 101, 143, 145 ; as Salesman's moral focus, 108 ; and Linda, 145 ; and Happy, 87 ; and masculinity, 138 ; and monotony, 105 ; and sports, 138 ; and success, 103 ; and Willy, 19, 20 -22, 101 -10, 129 ; and Willy's suicide, 6, 150 -51 | | | Bigsby, C. W. E., 31 | | | Birth of Tragedy, The ( Nietzche), 7 | | | Brecht, Bertolt, 98 | | | Brown, Ivor, 5 | | | Brown, John Mason, 5 | | | Buechner, Georg, 51 | | | Cabot, Ephraim ( Desire under the Elms), 51 | | | Carnegie, Andrew, 83 -84 | | | Carnegie, Dale, 12 | | | "Certain Private Conversations in Two Acts and a Requiem," 112 | | | Charley, 1, 16, 24, 27, 50, 52 -55, 85 ‐ 86, 88, 95 -96, 105 -6: and com- munist propaganda, 36 ; and conformity, 85 ; and Willy's epi- taph, 5, 13, 24, 150 | | | Clurman, Harold, 31 | | | Cobb, Lee J., 106 | | | Collected Plays, 1, 59, 71, 77, 107, 155 n.37 | | | Conwell, Russell H., 83 | | | Coriolanus (Coriolanus), 3 | | | Crucible, The, 15 : and Salesman, 67 | | | Daily Worker, The, 36 | | | Death of a Salesman: and its conclusion, 105 ; as "anti-myth," 30 ; as classic tragedy, 80 -81; and existentialism, 100 ; as family drama, 81 ; and its first Broadway staging, 58, 107 -8, 154 n.20; and The Great Gatsby, 110 ; as "high tragedy," 8 ; its Jewish elements, 2, 4, 29 -30, 50, 56 n.1, 100 ; and its language, 20, 50 ; as "low tragedy," 8 ; its lyricism, 101 ; and Marxism, 6, 17 ; and Miller's confusion, 2, 9 -10, 20 -21, 51, 58 ; and its original title, 107 ; its origins as a short story, 99 ; its portrayal of women, 152 ; and pragmatism, 103 ; and its scenic design, 51, 113, 119 ; as social drama, 104 | | | Desire under the Elms ( O'Neill), 51 | | | Double, The ( Dostoyevsky), 94 | | | Dream Play, The ( Strindberg), 51 | | | Dunnock, Mildred, 154 n.20 | | | Dworkin, Martin, 46 | -165- | | |
Questia, a part of Gale, Cengage Learning. www.questia.com
Publication Information: Book Title: Willy Loman. Contributors: Harold Bloom - editor. Publisher: Chelsea House. Place of Publication: New York. Publication Year: 1991. Page Number: 165.
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