Electronic Media Criticism: Applied Perspectives

By Peter B. Orlik | Go to book overview

Electronic Media Criticism
Applied Perspectives

Peter B. Orlik

LAWRENCE ERLBAUM ASSOCIATES, PUBLISHERS Mahwah, New Jersey

-iii-

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Electronic Media Criticism: Applied Perspectives
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • List of Illustrations ix
  • List of Critiques xi
  • Preface xiii
  • Acknowledgments xv
  • Endnotes xvi
  • 1 - The Essence of Criticism 1
  • Endnotes 11
  • 2 - Critical Functions 13
  • Endnotes 28
  • 3 - Criticism and the Communication Process 30
  • Endnotes 45
  • 4 - Knowledge Processing 47
  • Endnotes 66
  • 5 - Tonal and Talent Ingredients 67
  • Endnotes 80
  • 6 - Stage-Molding Ingredients 82
  • Endnotes 94
  • 7 - Busieness Gratifications 96
  • Endnotes 108
  • 8 - Audience Gratifications 110
  • Endnotes 128
  • 9 - Reality Programming 131
  • Endnotes 151
  • 10 - Depiction Analysis 153
  • Endnotes 171
  • 11 - Structural Analysis 173
  • Endnotes 193
  • 12 - Probing Ethics and Values 195
  • Endnotes 213
  • 13 - Aesthetics and Art 215
  • Endnotes 232
  • 14 - The Logic of Aesthetic Form 235
  • Endnotes 256
  • 15 - Composite Criticism 258
  • Endnotes 269
  • Appendix a Specimen Scripts 271
  • Scene: (living Room) 274
  • Scene Dissolves to Attic 276
  • Scene: (living Room) 278
  • Act One 290
  • Scene I 290
  • Scene 2 294
  • Scene 3 296
  • Scene 4 297
  • Scene 299
  • Act Two 302
  • Scene 1 302
  • Scene 2 305
  • Scene 3 307
  • Scene 4 309
  • Scene 312
  • Appendix B Suggested Exercises 315
  • Index 327
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