DOR. Open it quickly, come.
SCRUB. In the first place I enquired who the gentleman was; they told me he was a stranger. Secondly, I asked what the gentleman was; they an
| swered and said, that they never saw him before. | 60 |
| and they replied, they knew nothing of the mat | 65 |
MRS. SUL. But what do the people say? Can't they guess?
SCRUB. Why, some think he's a spy, some guess
| he's a mountebank, some say one thing, some an | 70 |
DOR. A Jesuit. Why a Jesuit?
SCRUB. Because he keeps his horses always ready saddled, and his footman talks French.
| MRS. SUL. His footman! | 75 |
SCRUB. Ay, he and the count's footman were gabbering French like two intriguing ducks in a millpond; and I believe they talked of me, for they laughed consumedly.
| DOR. What sort of Every has the footman? | 80 |
SCRUB. Livery! Lord, madam, I took him for a captain, he's so bedizened with lace! And then he has tops to his shoes, up to his mid leg, a silver- headed cane dangling at his knuckles; he carries his
| hands in his pockets just so -- (walks in the | 85 |
MRS. SUL. That may easily be. -- But what shall
| we do now, sister? | 90 |
DOR. I have it. This fellow has a world of simplicity, and some cunning; the first hides the latter by abundance. -- Scrub!
SCRUB. Madam!
| DOR. We have a great mind to know who this | 95 |
SCRUB. Yes, madam, it would be a satisfaction, no doubt.
DOR. You must go and get acquainted with his
| footman, and invite him hitherto drink a bottle | 100 |
SCRUB. Yes, madam, I am butler every Sunday.
MRS. SUL. O brave, sister! O' my conscience, you understand the mathematics already -- 'tis the best
| plot in the world: your mother, you know, will | 105 |
| know, any stranger is company, and we're glad | 110 |
SCRUB. Oh! Madam, you wrong me! I never refused your ladyship the favor in my life.
Enter GIPSEY.
| GIP. Ladies, dinner's upon table. | 115 |
DOR. Scrub, well excuse your waiting -- go where we ordered you.
SCRUB. I shall. Exeunt.
Scene changes to the inn.
Enter AIMWELLand ARCHER.
ARCH. Well, Tom, I find you're a marksman.
AIM. A marksman I who so blind could be, as not discern a swan among the ravens?
ARCH Well, but hark'ee, Aimwell --
| AIM. Aimwell! Call me Oroondates, Cesario, | 5 |
| groves, and purling streams played on her plen | 10 |
ARCH. Her face! her pocket, you mean; the corn, wine, and oil lies there. In short, she has ten thousand pound, that's the English on't.
| AIM. Her eyes -- | 15 |
ARCH. Are demi-cannons, to be sure; so I won't stand their battery. (Going.)
AIM. Pray excuse me; my passion must have vent.
ARCH. Passion! what a plague, d'ee think these
| romantic airs will do our business? Were My | 20 |
AIM. Your adventures!
ARCH. Yes;
With brazen engine2 hot, and quoif3 dear starched, Can fire the guest in warming of the bed -----
The nymph that with her twice ten hundred pounds, 25
There's a touch of sublime Milton for you, and the subject but an innkeeper's daughter! I can play
| with a girl as an angler does with his fish; he | 30 |
Enter BONNIFACE.
BON. Mr. Martin, as the saying is -- yonder's an
| honest fellow below, my Lady Bountiful's but | 35 |
-363-
Questia, a part of Gale, Cengage Learning. www.questia.com
Publication information:
Book title: British Dramatists from Dryden to Sheridan.
Contributors: George Henry Nettleton - Editor, Arthur Eillicot Case - Editor.
Publisher: Boston ; Houghton Mifflin company,..
Place of publication: Boston; New York.
Publication year: 1939.
Page number: 363.
This material is protected by copyright and, with the exception of fair use, may not be further copied, distributed or transmitted in any form or by any means.
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