British Dramatists from Dryden to Sheridan

By George Henry Nettleton; Arthur Eillicot Case | Go to book overview
Save to active project

MISS NEV. I'm coming! Well, constancy. Remember, constancy is the word. Exit.

HAST. My heart! How can I support this! To

be so near happiness, and such happiness! 520

MARL. (to TONY). You see now, young gentleman, the effects of your folly. What might be amusement to you is here disappointment, and even distress.

TONY (from a reverie). Ecod, I have hit it. It's

here! Your hands. Yours, and yours, my 525
poor Sulky. My boots there, ho! Meet me two hours hence at the bottom of the garden; and if you don't find Tony Lumpkin a more good-natured fellow than you thought for, I'll give you leave to take
my best horse, and Bet Bouncer into the bar­ 530
gain. Come along. My boots, ho! Exeunt.


ACT V

[SCENE I]

Scene continues. [The house.]

Enter HASTINGS and Servant.

HAST. You saw the old lady and Miss Neville drive off, you say?

SERV. Yes, your honor. They went off in a post- coach, and the young Squire went on horseback.

They're thirty miles off by this time. 5

HAST. Then all my hopes are over.

SERV. Yes, sir. Old Sir Charles is arrived. He and the old gentleman of the house have been laughing at Mr. Marlow's mistake this half hour. They

are coming this way. [Exit.] 10

HAST. Then I must not be seen. So now to my fruitless appointment at the bottom of the garden. This is about the time. Exit.

Enter SIR CHARLES MARLOWand HARDCASTLE.

HARD. Ha! ha! ha! The peremptory tone in

which he sent forth his sublime commands! 15

SIR CHAS. And the reserve with which I suppose he treated all your advances.

HARD. And yet he might have seen something in me above a common innkeeper, too.

SIR CHAS. Yes, Dick, but he mistook you for 20
an uncommon innkeeper, ha! ha! ha!

HARD. Well, I'm in too good spirits to think of anything but joy. Yes, my dear friend, this union of our families will make our personal friendships

hereditary; and though my daughter's fortune is 25
but small --

SIR CHAS. Why, Dick, will you talk of fortune tome? My son is possessed of more than a competence already, and can want nothing but a good and vir

tuous girl to share his happiness and increase it. 30
If they like each other, as you say they do --

HARD.If, man! I tell you they do like each other. My daughter as good as told me so.

SIR CHAS. But girls are apt to flatter themselves,

you know. 35

HARD. I saw him grasp her hand in the warmest manner myself; and here he comes to put you out of your ifs, I warrant him.

Enter MARLOW.

MARL. I come, sir, once more, to ask pardon for

my strange conduct. I can scarce reflect on my 40
insolence without confusion.

HARD. Tut, boy, a trifle. You take it too gravely. An hour or two's laughing with my daughter will set all to rights again. She'll never like you the worse

for it. 45

MARL. Sir, I shall be always proud of her approbation.

HARD. Approbation is but a cold word, Mr. Marlow; if I am not deceived, you have something

more than approbation thereabouts. You take 50
me?

MARL. Really, sir, I have not that happiness.

HARD. Come, boy, I'm an old fellow, and know what's what as well as you that are younger. I

know what has passed between you; but mum. 55

MARL. Sure, sir, nothing has passed between us but the most profound respect on my side, and the most distant reserve on hers. You don't think, sir, that my impudence has been passed upon all the

rest of the family? 60

HARD. Impudence! No, I don't say that -- not quite impudence -- though girls like to be played with, and rumpled a little, too, sometimes. But she has told no tales, I assure you.

MARL. I never gave her the slightest cause. 65

HARD. Well, well, I like modesty in its place well enough; but this is over-acting, young gentleman. You may be open. Your father and I will like you the better for it.

MARL. May I die, sir, if I ever -- 70

HARD. I tell you she don't dislike you; and as I am sure you like her --

MARL. Dear sir -- I protest, sir --

HARD. I see no reason why you should not be

joined as fast as the parson can tie you. 75

MARL. But hear me, sir --

HARD. Your father approves the match; I admire it; every moment's delay will be doing mischief; so --

MARL. But why won't you hear me? By all that's

just and true, I never gave Miss Hardcastle the 80
slightest mark of my attachment, or even the most distant hint to suspect me of affection. We had but one interview, and that was formal, modest, and uninteresting.

____________________
ACT. V. s.d.] OO Scene Continues.

-791-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
Loading One moment ...
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited page

Bookmark this page
British Dramatists from Dryden to Sheridan
Table of contents

Table of contents

Settings

Settings

Typeface
Text size Smaller Larger
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

While we understand printed pages are helpful to our users, this limitation is necessary to help protect our publishers' copyrighted material and prevent its unlawful distribution. We are sorry for any inconvenience.
Full screen
/ 960

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

Cited passage

Welcome to the new Questia Reader

The Questia Reader has been updated to provide you with an even better online reading experience.  It is now 100% Responsive, which means you can read our books and articles on any sized device you wish.  All of your favorite tools like notes, highlights, and citations are still here, but the way you select text has been updated to be easier to use, especially on touchscreen devices.  Here's how:

1. Click or tap the first word you want to select.
2. Click or tap the last word you want to select.

OK, got it!

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.

Are you sure you want to delete this highlight?