Staging Difference: Cultural Pluralism in American Theatre and Drama

By Marc Maufort | Go to book overview
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Works Cited
Corry John. The Golden Clan. Boston: Houghton-Mifflin, 1977.
Duffy Joseph. "19th-Century Images of Hartford's Irish Catholic Community: (1827-1861)." Eire-Ireland 21.2 ( 1986): 1-12.
Fiet Lowell. "O'Neill's Modification of Traditional American Themes in A Touch of the Poet." Educational Theater Journal ( December 1975): 508-15.
Jenckes Norma. "O'Neill's Use of Irish Yankee Stereotypes in A Touch of the Poet." The Eugene O'Neill Newsletter (Fall 1985): 40-43.
McGoldrick Monica. "Irish Families." Ethnicity and Family Therapy. Ed. Monica McGoldrick , John Pearce, and Joseph Giordino. New York: Guilford Press, 1982. 310-39.
O'Leary Philip. "Castles of Gold: America and Americans in the Fiction of Seamus O'Grianna." Eire-Ireland 21.2 ( 1986): 70-74.
O'Neill Eugene. A Moon for the Misbegotten. The Later Plays of Eugene O'Neill. Ed. Travis Bogard. New York: Random House, 1967.
_____. A Touch of the Poet. The Later Plays of Eugene O'Neill.
_____. Long Day's Journey into Night. New Haven: Yale UP, 1989.
_____. More Stately Mansions. Ed. Martha Bower. New York: Oxford UP, 1988.
Potter G. To the Golden Door. Boston: Little Brown, 1960.
Raleigh John Henry. "Communal, Familial and Personal Memories in O'Neill's Long Day's Journey into Night." Modern Drama 31.1 ( 1988): 63-72.
_____. "O'Neill's Long Day's Journey and New England Irish Catholicism." O'Neill: A Collection of Essays. Ed. John Gassner. Englewood Cliffs: Prentice Hall, 1964.124-41.
Sheaffer Louis. O'Neill: Son and Playwright. vol 1. Boston: Little Brown, 1968.

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Staging Difference: Cultural Pluralism in American Theatre and Drama
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