Staging Difference: Cultural Pluralism in American Theatre and Drama

By Marc Maufort | Go to book overview
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Works Cited
Benet Carol Ann Levin. Sam Shepard on the German Stage: Critics, Politics, Myths. New York: Peter Lang, 1993.
Callens Johan. "Operation Sidewinder: The Needs and Risks of Revision(ism)." Amerika Studien/American Studies 38.4 ( 1993): 549-65.
_____. "Memories of the Sea in Sam Shepard's Illinois." Modern Drama 3.29 ( September 1986): 403-15.
DeRose David J. Sam Shepard. New York: Twayne, 1993.
_____. "Slouching Towards Broadway: Shepard's A Lie of the Mind." Theater/Yale 17.2 ( 1986): 69-74.
Gussow Mel. "Sam Shepard: Writer on the Way Up." New York Times 12 November 1969: 42.
Hamill Pete. "The New American Hero." New York 5 December 1983: 75-102.
Hornby Richard. Drama, Metadrama, and Perception. Lewisburg: Bucknell UP; London and Toronto: Associate UPs, 1986.
King Bruce, ed. Contemporary American Theatre. London: Macmillan, 1991.
Kleb William. "Sam Shepard." American Playwrights since 1945.Ed. Philip C. Kolin , Westport: Greenwood Press, 1989. 387-419.
Kruger Loren. The National Stage. Theatre and Cultural Legitimation in England, France, and America. Chicago: Chicago UP, 1992.
Manheim Michael. "Eugene O'Neill: America's National Playwright." Eugene O'Neill Newsletter 9.2 (Summer/Fall 1985): 17-23.
Meserve Walter J. "The American West of he 1870s and 1880s as Viewed from the Stage." Journal of American Drama and Theatre 3.1 (Winter 1991): 48-63.
Postlewait Thomas and Bruce McConachie, ed. Interpreting the Theatrical Past: Essays in the Historiography of Performance. Iowa City: Iowa UP, 1989.
Putzel Steven. "An American Cowboy on the English Fringe: Sam Shepard's London Audience." Modern Drama 36 ( March 1993): 131-46.
Robinson James A. "Buried Children: Fathers and Sons in O'Neill and Shepard." In Eugene O'Neill and the Emergence of American Drama, ed. Marc Maufort. Amsterdam/ Atlanta: Rodopi, 1989. 151-157.
Sandberg Larry and Dick Weissman. The Folk Music Sourcebook New York: Knopf, 1976.
Schechner Richard. "An American National Theatre--or Theatres?" The Drama Review 34.2 (TI26/Summer 1990): 93-97.
Schvey Henry. "The Master and His Double: Eugene O'Neill and Sam Shepard." Journal of Dramatic Theory and Criticism 5.2 (Spring 1991): 49-60.
Shepard Sam. "AZUSA is a Real Place." Plays and Players May 1978: 1.
_____. Fool for Love and The Sad Lament of Pecos Bill on the Eve of Killing His Wife. London: Faber and Faber, 1984.
_____. Four Two-Act Plays. New York: Urizen Books, 1980.
_____. "Language, Visualization, and the Inner Library." American Dreams: TheImagination of Sam Shepard

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Staging Difference: Cultural Pluralism in American Theatre and Drama
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