term loosely used for rhymed or unrhymed verse made free of conventional and traditional limitations and restrictions in regard to metrical structure. Cadence, especially that of common speech, is often substituted for regular metrical pattern. Free verse is a literal translation of the French vers libre, which originated in late 19th-century France among poets, such as Arthur Rimbaud and Jules Laforgue, who sought to free poetry from the metrical regularity of the alexandrine. The term has also been applied by modern literary critics to the King James translation of the Bible, particularly the Song of Solomon and the Psalms, to certain poems of Matthew Arnold, and to the irregular poetry of Walt Whitman's Leaves of Grass. The form is probably most closely associated with such English and American poets as Ezra Pound, Amy Lowell, and T. S. Eliot who sought greater liberty in verse structure. Other poets who used the free verse form were William Carlos Williams, Carl Sandburg, and Marianne Moore.

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