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excellent source of bibliography as well as a useful survey of the field.
2. The contrast between the welcome given to feminist production in the fields of
literary history and criticism, as well as in historical studies, and its marginalization
in that of art history is striking and worthy of further analysis.
3. See the copious bibliography provided by Gouma-Peterson and Mathews in The
Art Bulletin, cited in note i above. English feminist art historians have been
particularly productive and innovative in work premised on Marxist and
psychoanalytic criticism. See especially the work of Rozsika Parker and Griselda
Pollock, especially their now classic Old Mistresses: Women, Art, and Ideology ( New
York: Pantheon, 1981), and more recently, Kathleen Adler and Tamar Garb Berthe
Morisot ( Ithaca, N.Y.: Cornell University Press, 1987); Lisa Tickner The Spectacle of
Women: Imagery), of the Suffrage Campaign, 1907-14 ( London: Chatto & Windus,
1987); and Lynda Nead, Myths of Sexuality: Representations of Women in Victorian
Britain ( Oxford: Basil Blackwood, 1988). In this country, Eunice Lipton Looking
into Degas: Uneasy Images of Women and Modern Life ( Berkeley, University of
California Press, 1986) offers an example of the feminist critique of a single major
artist of the nineteenth century.
4. For the basic formulation of a theory of ideology, see Louis Althusser, "Marxism
and Humanism" ( 1965) in For Marx (Harmondsworth, England: Allen Lane, 1969)
and "Ideology and Ideological State Apparatuses", in Lenin and Philosophy ( London:
New Left Books, 1971), and Tony Bennett, Formalism and Marxism ( London and
New York: Methuen), pp. 111-26. For a good critique of Althusser's notion of
ideology in relation to literature, see Bennett, pp. 127-75.
5. "Eroticism and Female Imagery in Nineteenth-Century Art" was published in
Women as Sex-Object, ed. Thomas B. Hess and Linda Nochlin ( New York:
Newsweek Books, 1972).

-xvi-

Questia, a part of Gale, Cengage Learning. www.questia.com

Publication Information: Book Title: Women, Art, and Power: And Other Essays. Contributors: Linda Nochlin - author. Publisher: Westview Press. Place of Publication: Boulder, CO. Publication Year: 1988. Page Number: xvi.
    
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