Whether the Fleet served its purpose in causing repentance is open to question. Surrey could not deny but he had very evil done,-- but remained an unrepentant sinner. To him the psalm-singing money-loving citizen was beneath contempt. So his poem from the point of view of the injured party is insulting both in matter and in manner. He defends himself by attacking. London is so evil that it should be shocked to an appreciation of its sins. And this paradox is phrased in a careful parody of the reforming manner.
Oh member of false Babylon! The shop of craft! The den of ire! Thy dreadful doom draws fast upon! Thy martyr's blood by sword and fire In Heaven and earth for justice call!
Of course, a jeu d'esprit must not be taken too seriously; it betrays a lack of humor. Yet, the piece is distinctly clever. As the City by its trade relations with the continent was the stronghold of Lutheranism, to apply to it the opprobrious name applied by the Lutherans to the Roman Church is a neat distortion. 1 And the "martyrs" were the poor courtiers, such as Surrey himself and young Wyatt, persecuted by the demons in the City, merely be- cause they shot at them with cross-bows! But the literary signifi- cance of this is great. At once the reader is conscious of a note that has not been sounded in English poetry since Chaucer. There is a lightness of touch in the fooling that implies a mastery of the medium, that tells that the long apprenticeship of English literature is now over.
The last lines of this satire are also important since they have been quoted to show that Surrey was at heart in favor of the Refor- mation. 2 Irony is a dangerous tool that is apt to turn in the wield- er's hand and cut him. So Defoe found in the Shortest Way with Dissenters. So with Surrey here. He naturally by his birth be-
Of course there is no parallelism with Petrarch's sonnets against Avignon, as Nott suggests, because Petrarch was not attacking the city of Avignon but the papal court located there. Petrarch's "Babylon" and Surrey's "Babylon" are two entirely different things. By 1542 London had no connection with the papacy.
There is also an ambiguous remark of George Barlow, Dean of Westbury, quoted by Constantyne (op. cit.), and the fact that Surrey translated the Psalms, a proof that Aretino also was a Protestant.
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Publication Information: Book Title: Early Tudor Poetry, 1485-1547. Contributors: John M. Berdan - author. Publisher: The Macmillan Company. Place of Publication: New York. Publication Year: 1920. Page Number: 514.
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