flected in its exhibitions, for, with the exception of a loan
collection of art, nothing will be shown which has not
been produced since the St. Louis Exposition of 1904.
Also, I am informed, it is the first American exposition
to have an appropriation for mural paintings. True,
there were mural paintings at the Chicago World's Fair,
but they were not provided for by appropriation, having
been paid for by the late Frank Millet, with money saved
from other things.

Of the painters who will have mural decorations at
the Exposition, but one, Frank Brangwyn, is not an
American. Also, but one is a Californian, that one be-
ing Arthur F. Mathews.

The only mural decorations in the Fine Arts Building
will be eight enormous panels by Robert Reid, in the in-
terior of the dome, eighty feet above the floor. Four of
the panels symbolize Art; the others the "four golds of
California": poppies, citrus fruits, metallic gold and
golden wheat. Among the various excursions to the
Exposition, I hope there will be one for old-school mural
decorators--men who paint stiff central figures in brick-
red robes, enthroned, and surrounded by cog-wheels, pro-
pellers, and bales of cotton, with the invariable male fig-
ures petrified at a forge upon one side, and the invariable
inert mothers and children upon the other--I hope there
will be an excursion to take such painters out and show
them the brave swirl and sweep of line, the light, and the
nacreous color which this artist has thrown into his
decorations at the Fair.

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