of the relation in his mind of certain hitherto inharmonious interests, you may call them his sub-personalities or other selves. And for the reader, Poetry is a means of similarly informing himself of the relation of analogous interests hitherto inharmonious on these same various planes. For the poet, the writing of poetry accomplishes a certain end, irrespective of whether the poem ever finds another reader but himself; it enables him to be rid of these conflicts between his sub-personalities. And for the reader, without necessarily any direct detailed regard to the history of the poet, the reading of poetry performs a similar service; it acts for him as a physician of his mental disorders. I have said that a well-chosen anthology should be a medicine-chest against all ordinary mental disorders, but I should have added that no medicine and no poetry can ever be effective without the consent and co-operation of the patient. Poetry may take the form of merely stating the nature of the conflict between these interests, a diagnosing of the ailment, in the form of pity, doubt, resentment, or merely a cry of pain; it may be a temporary relief, a narcotic or counter- irritant, which I call poetry of escape; or it may take the completer form of prescribing for the cure of the ailment, suggesting how a new common life can be formed between these conflicting interests by the intervention of some mediating influence.
The appreciation of Poetry presupposes a common interest or group of interests between
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Publication Information: Book Title: Poetic Unreason: And Other Studies. Contributors: Robert Graves - author. Publisher: Biblo and Tannen. Place of Publication: New York. Publication Year: 1968. Page Number: 2.
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