ACT I SCENE: The drawing-room of a house in Courtfield Gardens, South Kensington, on a morning in July, at some period not long before the war of 1914-1918. The furnishings betoken solid but not undecorative upper middle-class comfort. On the rise of the curtain A BOY of about fourteen, dressed in the uniform of an Osborne naval cadet, is discovered. There is something rigid and tense in his attitude, and his face is blank and without expression. There is the sound of someone in the hall. As the sound comes nearer, he looks despairingly round, as if contemplating flight. An elderly maid ( VIOLET) comes in, and stops in aston- ishment at sight of him. VIOLET: Master Ronnie! RONNIE (With ill-managed sang-froid): Hello, Violet. VIOLET: Why, good gracious! We weren't expecting you back till Tues- day. RONNIE: Yes, I know. VIOLET: Why ever didn't you let us know you were coming, you silly boy? Your mother should have been at the station to meet you. The idea of a child like you wandering all over London by yourself. I never did. However did you get in? By the garden, I suppose. RONNIE: No. The front door. I rang and cook opened it. VIOLET: And where's your trunk and your tuck box? RONNIE: Upstairs. The taximan carried them up-- VIOLET: Taximan? You took a taxi? RONNIEnods. All by yourself? Well, I don't know what little boys are coming to, I'm sure. What your father and mother will say, I don't know-- RONNIE: Where are they, Violet? VIOLET: Church, of course. RONNIE (Vacantly): Oh, yes. It's Sunday, isn't it? VIOLET: What's the matter with you? What have they been doing to you at Osborne? -48- |