the monastery Klosterneuburg. Here, Bruckner had sat on the organ bench and had let the church organ peal out, stronger and stronger--verily a "musician of God" and perhaps the last of his kind. After the coffin had been consecrated according to the rites of the Catholic Church, it was carried to the hearse by students who, with drawn sabres, had stood guard around the catafalque. Then, as was his wish, Bruckner was brought to his home in Upper Austria. The autumn mists were already hovering over the fields and meadows and the crows sang their gloomy song that had always put him in a mournful mood when he traveled from the city to the country in the fall. In the church of the St. Florian Convent, where Bruckner's coffin was brought, the "De profundis" sounded while the bier was placed under the organ that had been Anton Bruckner's organ and that had first taught him to elevate himself with music to the heavens and to the Halo of God, as heralded to the world by the radiant timbre in the finales of his symphonies. It was but half a year later--on April 6, 1897--that we accom- panied Johannes Brahms to his last resting place in the Protestant Cemetery of Vienna. If Bruckner was familiar with the glory of Heaven, Brahms was intimate with the bitterness of death. His last composition sings movingly: "Oh, Death, how bitter art thou." His "Deutches Requiem" had preached with the gloomy tones of a funeral march: "For all flesh is like the grass." Even as a young man Brahms had intoned, strictly and austerely, the serious melody "Nun wollen wir den Leib begraben" ( "Now will we bury the body"). A strong, simple, homely man was now being lowered into the earth, a man who had known the bitterness of life and whose favorite book was the Lutheran Bible. A life that had been filled with work was ended; what remained were the mighty works written by the man who now had passed on to the Great Beyond. Both composers belonged to the Vienna in which we grew up. Going for a walk, we met Brahms and Bruckner almost daily. When we attended a concert they were both there, too. When new compositions of Brahms and Bruckner were performed, they -2- |