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CONTENTS
FOREWORD by Akihisa Hasé 9
INTRODUCTION by Dietrich Seckel 13
Preliminary 15
Technique 18
Composition--picture and text 20
Themes 23
Terminology 38
Patrons, public and painters 39
Narrative method 43
Man in the emaki 47
Methods 51
Space-time continuity 58
Development
Origins 66
Stylistic changes 68
After-effects 70
European comparisons 71
PLATES
1-13 Genji-Monogatari-Emaki (Plate 8a showing detail) 80
14-28 Shigisan-Engi-Emaki 108
29-36 Nenjû-Gyôji-Emaki (Plate 30a showing detail) 136
37-55 Heiji-Monogatari-Emaki 154
56-61 Ippen-Shônin-Eden 180
62-68 Kasuga-Gongen-Kenki-Emaki 188
NOTES on the individual emaki and Plates
Genji-Monogatari-Emaki 203
Shigisan-Engi-Emaki 207
Nenjû-Gyôji-Emaki 210
Heiji-Monogatari-Emaki 212
Ippen-Shônin-Eden 215
Kasuga-Gongen-Kenki-Emaki 216
APPENDIX by Dietrich Seckel
NOTES ON THE ILLUSTRATIONS IN THE APPENDIX 221
ILLUSTRATED SECTION OF THE APPENDIX 225
BIBLIOGRAPHY by Dietrich Seckel 233
CONCORDANCE of Plate numbers, giving equivalent references in the Japanese
compilation Emakimono Shiûsei 		238

-5-

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Publication Information: Book Title: Emakimono: The Art of the Japanese Painted Hand-Scroll. Contributors: Akihisa Hasé - photographer, J. Maxwell Brownjohn - transltr, Dietrich Seckel - author. Publisher: Pantheon Books. Place of Publication: New York. Publication Year: 1959. Page Number: 5.
    
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