( April 29, 1950); Jarrolds Publishers ( London), for Gerald Griffin
The Wild Geese (no date); Methuen and Company, Ltd. ( London),
and P. S. O'Hegarty, for the latter's A History of Ireland under the
Union ( 1952); Random House, Inc., for James Joyce, Ulysses ( 1934),
for Samuel Butler, The Way of All Flesh, and for Sigmund Freud,
The Basic Writings of Sigmund Freud ( 1938); the Houghton Library
of Harvard University, which has possession of the report of the
publisher's reader on Joyce's Dubliners; Doubleday and Company,
for Bad Boy of Music ( 1945), by George Antheil, reprinted by per-
mission of Doubleday and Company, Inc.; Vanguard Press, for
James Joyce: Two Decades of Criticism ( 1948), edited by Seon
Givens; Liveright Publishers, for The Critical Game, by John Macy
(copyright R 1950, John Macy); The New Republic ( January
3, 1934), for Malcolm Cowley's "The Religion of Art: Readings from
the Lives of the Saints"; Mr. T. S. Eliot, for his permission to quote
from "Ulysses, Order, and Myth," an essay which appeared first in
1923 in The Dial; Charles Scribner's Sons, for James G. Huneker
Unicorns ( 1917); Gerald Duckworth and Company, Ltd.( London),
for Anton Chekhov, The Black Monk ( 1903), edited by R. Long;
the Yale University Library, for permission to quote from a letter
by George Russell and several letters by James Joyce, all of which
are in the possession of the library; Mr. Diarmuid Russell, for per-
mission to quote from a letter of his father, George Russell, to James
Joyce; Mr. Hugh MacDiarmid and William Maclennon, Ltd. (Glas-
gow), for permission to quote from In Memoriam James Joyce. To
New Directions for James Joyce: A Critical Introduction ( 1941), by
Harry Levin, Stephen Hero ( 1944), by James Joyce, and An Ex-
agmination of James Joyce ( 1939), by Samuel Beckett and Others.
To the officers of the James Joyce Society for Recollections of James
Joyce by His Brother ( 1950), by Stanislaus Joyce.

To the Board of Governors and the Guardians of the National
Gallery of Ireland for the drawing of Joyce by Sean O'Sullivan,
R.H.A., used as the Frontispiece.

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