which have been taken to mean that in Alphonsus Greene turned from novels to plays, inspired to do so, it is further agreed, by the success of Tamburlaine. But though Alphonsus is recognized as his earliest dramatic production, the date at which Greene began to write plays has been a matter of discussion. Especially so, since the appearance of the edition of Greene plays 3 by the late Mr. Churton Collins, who argued for a much later date than any hitherto proposed. 4 Granting the relation between Alphonsus and Tamburlaine as that of copy and model, Mr. Collins, nevertheless, places Alphonsus as not earlier than 1591. Most important among his reasons for this date is the similarity between the pro- logue to Alphonsus and certain passages in Spenser Com- plaints (published 1591). In The Teares of the Muses, Spenser, through the mouth of Calliope, deplores the decay of poetry and the want of heroic themes. The Muse threatens eternal silence. Alphonsus as a hero satis- fies Calliope, according to Greene's prologue, and she deter- mines to break her silence. Greene's play is, therefore, a response to Spenser Complaints. Certain parallels of In the heroical poems of Daniel and Drayton there are indications of this same kind of ostentatious introduction. Recognition of the prevalence of such passages as that of Greene's, while it casts a little doubt upon Greene's challenge to Marlowe, does not alter the relation between the two plays; nor does it in any way lessen the probability that Alphonsus is Greene first play. ____________________ | 3 | The Plays and Poems of Robert Greene, Ed. with Introductions and Notes, by J. Churton Collins. Clarendon Press, 1905. | | 4 | The whole matter, it may be said, is very difficult. The problem of the dates--and the authorship, too--of Greene's plays is perhaps unsolvable, and it is to be doubted whether anything more definite than approximations can be reached. To the discussions of dates and authorship I have little to add. What I say, largely by way of sum- mary, may be found in the writing of Gayley, Greg, Storojenko, and Collins. | -175- |