tainty with respect to who a person may be. Any satisfying aware- ness of identity involves, nonetheless, something more than this; it involves some certainty as to what a person is. Uncertainty about this aspect of identity is only too common. We say of someone with whom we have believed ourselves intimately acquainted, "I should never have known her last night. She seemed like a stranger, a different woman." Or, in discussing one friend with another, "You seem to be talking about a wholly unfamiliar creature. He seems totally different from the man I know." Or, and perhaps most important of all, "I shouldn't have supposed myself capable of such a thing. I didn't know that I was like that." Each of these remarks implies confusion concerning the real nature of the person under consideration. The first presents an old friend as someone scarcely known at all, outwardly recog- nizable but inwardly unknown. The second reveals that one's concept of a friend's character is so different from another's con- cept of him that there is necessarily error somewhere. Unless one or the other opinion be wrong, there are here psychologically two persons where physically there is only one. The third of the re- marks discloses a fundamental uncertainty with respect to one's own real identity, the error that is at once the most important and the most difficult to recognize, the error with which, as we shall see, Shakespeare was ultimately to be most concerned. But, whether the mistake be about oneself or about another, it is still a mistake concerning the real identity of the person concerned, a mistake about an inner reality which is at least as important as a mistake made about external facts, and usually much more significant.
It would be possible to show that Shakespeare made some use of this sort of error in every comedy save that called The Comedy of Errors. To do this adequately would be to write a book rather than an essay. At the moment I wish merely to suggest that in such universal human errors Shakespeare found one of the essen-
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Publication Information: Book Title: Studies in the Comic. Contributors: J. R. Caldwell - author, W. H. Durham - author, B. H. Lehman - author, Gordon McKenzie - author, J. F. Ross - author. Publisher: University of California Press. Place of Publication: Berkeley, CA. Publication Year: 1941. Page Number: 156.
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