almost impossible to obtain a picture of "old king Gösta"
that was national and true to history. Larchevêque's great-
est distinction consists in having been the teacher of Sergel,
and, in 1758, when but a youth of eighteen, Sergel was
allowed to accompany his instructor to Paris. There, with-
out a doubt, he received strong impressions from Falconet
and Pigalle, the great French rococo sculptors, whose grace
and sensuous elegance were bound to exert an influence upon
the precocious young Swede. In 1767 Sergel went to Rome
and remained there until 1778. There the greatness of
antiquity was revealed to him partly by means of the previ-
ously mentioned scholarly currents in art.

The Faun, statuette in marble by Johan Tobias Sergel. In the
National Museum at Stockholm

In the year 1770 The Reclining Faun was finished. The
figure attracted general attention by its joyousness and stamp
of energy. Notwithstanding its small size--not quite a
meter in length--it produces a very striking effect through
its animation and its pagan, exuberant joy of life. There are

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