ligious object must be believed to be real, it may also be re- garded as ideal. Devotion and dependence toward a responsive higher power, believed in and regarded as ideal, would be a synthesis of fundamental and experimental religion. But while in what follows, we may occasionally refer to fundamental religion, we shall be mainly and almost exclusively concerned with experimental religion. For what theology seeks to systematize is not so much our appreciations of the divine ideal as our knowledge of the divine being. And so, an appropriate title for this work would have been, The Theology of Experimental Religion. Moreover, as in life generally, so in experimental religion, the function of ideas is threefold. Not only do they give ex- pression to experience, particularly to feeling; they supplement experience by representing certain phases of reality which may not at the moment be presented, and they guide practical adjustments and thus lead to further experience. All this theology undertakes to do for experimental religion. It is intimately related to the three main phases of religious con- sciousness, viz., feeling, cognition and action. Not only does it give intellectual expression to religious experience; it aims to represent by means of ideas the divine reality with which religion is concerned, and thus to guide the religious attitudes of the subject and lead him to the kind of religious experience most to be desired. The question to be faced is as to whether theology, under- stood thus as description of the divine reality, can be made truly scientific. And what we mean by "scientific" is not merely logical in the older deductive sense, i. e., consistent with presuppositions. Ancient and mediæval science, modelled upon the geometrical method, was essentially abstract, apriori, unempirical. With its formal, deductive logic it was an instru- ment of criticism and discovery within but narrow limits. It was the lesser organ of exact knowledge. Modern science, with its concrete, empirical, inductive method, is an instrument of criticism and discovery within limits set only by human experience itself. It is, as Francis Bacon called it, the novum organum, the new and greater organ of exact knowledge. Whereas the older science, in the main, undertook no more -2- |