Literary precedent for the dinosaur in the metropolis can be found in the famous opening paragraph of Dickens Bleak House ( March, 1852): As much mud in the streets, as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill.
Fossil remains of the megalosaurus, 'Big Lizard', had been ex- cavated and described in the 1820s, fuelling--along with other new- found monsters such as ichthyosaurus and iguanodon--the heroic age of British palaeontology. In 1842 the great comparative anatomist Richard Owen had classified the creature as belonging to a new zoo- logical order, which he named the 'Dinosauria'. Even as Bleak House was in serialization, life-size iron-and-concrete models of megalo- saurus and iguanodon (dinosaurs from Oxfordshire and Sussex) were being built according to Owen's specifications at the new exhibition park in Sydenham, where the Crystal Palace would be relocated in 1854. Prehistory, so fascinating to the modern imagination, was as characteristic a Victorian invention as the imperial exhibition. Vast new deserts of geological time stretched before the human age; here was the dimension of origins so crucial to the general debate over what T. H. Huxley would call (foreclosing the question) 'man's place in nature'. An authoritative account of prehistory would define our own identity and its consequent histories: whether humans were the fruit of one great family tree that included apes, reptiles, and earthworms in its branches, or whether all the species were created separately according to the archetypes of a divine plan; whether life evolved through orderly degrees towards some crowning type, or whether all species were subject to indiscriminate waves of extinc- tion. Dickens's thoroughly topical megalosaurus, representing the catastrophic dissolution of the historical present into a chaos of primeval forms, draws upon the anxieties and ambiguities of the new cultural theme in the years preceding publication of Darwin Origin of Species ( 1859). No scientific field was more fiercely contested than the recently established one of palaeontology. 2 At the peak of its influence in the ____________________ | 2 | See Adrian Desmond, Archetypes and Ancestors: Palaeontology in Victorian London 1850-1875 ( London: Blond & Briggs, 1982). | -viii- |