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Contents
MANNERISM AS AN INTER-EUROPEAN STYLE 6 - 24 The meaning of the Mannerist style -- the style of the
humanist ideal of culture -- European domestic archi-
tecture as an outlet for the new style
MANNERIST ART AS A MEDIUM FOR THE PERSONAL AFFIRMATION 33 - 43 The new evaluation of art -- the new relationship
OF AUTOCRATIC POWER between sovereign and artist
THE HUMAN FIGURE IN MANNERIST PAINTING AND SCULPTURE 44 - 81 The figure per se -- combining figures into a group -- the
arrangement of columns in an architectonic context
ARCHITECTURE IN THE MANNERIST SPIRIT 82 - 101 The new type of architect -- lack of restraint in archi-
tectural design -- the theory of the order of columns
GREAT MANNERIST PAINTING AND DECORATIVE ART 102 - 156 The intellectual background and origin of the fresco
schemes -- suitability of the fresco schemes
MANNERIST ART AS A MEDIUM FOR THE GLORIFICATION OF 165 - 190 The artist's creative work and environment as a
ARTISTIC CREATION subject for artistic representation -- artists as eccentrics --
the artist's palace -- provision for posthumous fame
THE ESTIMATION OF MAN IN MANNERIST PORTRAITURE 191 - 217 The theory of the portrait -- the social status of the
portrait
HUMAN DESTINY AND THE POWER OF NATURE IN MANNERIST ART 218 - 240 Human life and the power of fate -- nature and the
cosmic world feeling
BIBLIOGRAPHY 241 - 246

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Publication Information: Book Title: Mannerism: The European Style of the Sixteenth Century. Contributors: Franzsepp Weurtenberger - author, Michael Heron - transltr. Publisher: Holt, Rinehart and Winston. Place of Publication: New York. Publication Year: 1963. Page Number: 5.
    
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