The following tables represent them as given by Sharpe and Gonse, but as regards France there is much less change of detail, at least in the royal domain, than in England. In the former country there is immense development in skilful construction and beauty of design from the middle of the twelfth to the end of the thirteenth century, de- pendent on the steady working out to its furthest con- sequences of the determination to support a stone vault carried by an elastic series of ribs, not on walls but on piers and buttresses, maintained in equilibrium by the opposing action of thrusts and counter-thrusts. But English Gothic is an architecture of columns and arches and walls, not of necessity covered with a stone vault, in which beauty of detail is of more obvious importance than adherence to a principle of construction. The various styles or periods therefore furnish a convenient mentoria technica for the English form of the art, but one which cannot be applied to the same extent to that of France.
Roughly, the last quarter of each century is a time of transition from one style to the next.
-xxiv-
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Publication Information: Book Title: Gothic Architecture in England & France. Contributors: George Herbert West - author. Publisher: G. Bell & Sons. Place of Publication: London. Publication Year: 1911. Page Number: xxiv.
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