chiefly to that persistence of Roman traditions in both, which was made possible by the system under which public works were executed during the Roman empire. This requires a short explanation. 1 The administration of public works, centralized in Rome, was carried out by the building depart- ments of the provincial municipalities, but the execution was in the hands of local hereditary building Guilds or Collegia, who handed down their methods and secrets from father to son. Consequently the same class of buildings would be carried out everywhere on much the same lines, viz., those laid down by the central administration; but the execution and details would differ somewhat as they were due to local habits and traditions. In Provence Roman traditions were never lost, as we see in the strange picture given us by Sidonius Apollinaris 2 in the fifth century, of the old Roman municipal functionaries moving like ghosts in their old dress amongst the splendid and living figures of their Gothic conquerors. Seeing that the Roman social and municipal system and the church organization could traverse the cataclysm of the barbarian conquest comparatively un- disturbed, we may safely believe that the tenth century and later buildings of Provence owe their resemblance to the much earlier ones of Syria, more to the persistent traditions of the old hereditary, though no longer state-organized building guilds, than to any direct copying by means of traders or monks. It is true that we have hardly any of the architectural links which would have proved this persist- ence of the traditions of the Collegia by a progressive evolu- tion of tenth-century buildings from those of the fifth, and that there is no documentary evidence relating to France. There is, however, such evidence as regards Italy in one particular instance, that of the so-called Comacine Masters. When Constantine began to build his new Rome on the Bosphorus in 334, he appealed to the Collegia of old Rome to help him, and the higher grades and wealthier artists flocked to Constantinople; 3 and when Rome finally fell and ____________________ | 1 | Choisy, "L'Art de Bâtir chez les Romains". | | 2 | Hodgkin, "The Invaders of Italy", and Bigg, "Wayside Sketches in Ecclesiastical History". | | 3 | In Constantinople there was undoubted continuity between the Roman Collegia and the Medieval Guilds, vide. Lethaby, p. 64. | -16- |