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INDEX
"A Different Kind of Art," Szarkowski, 229
"A Plea for Art Photography in America,"
Stieglitz, 25
"A Plea for Straight Photography," Hartmann
, 46 - 47
"A Plea for the Picturesqueness of New
York," Hartmann, 50
Abbott, Berenice, 103 - 4, 207
Abbott, John, 114
Abramson, Michael, 254, 255
absolute, experience of the, 61
Abstract Expressionism, 8, 132-36, 144
abstraction, 37, 51, 129, 133, 149
"Abstraction in Photography," 120
academic art, 15, 18, 27, 31
Acconci, Vito, 14
action, photography of, 69, 70, 219
Adams, Ansel, 10, 67-77, 81, 102, 106,
129, 143, 182, 201, 203, 204, 240, 266
Adams, Phoebe, 122 - 23, 124
advertising, 82, 118-19, 164, 194, 242, 267
aerial photographs, 119 - 20, 224
Aesthetic Movement, 24 -28
aesthetics, 21, 41, 58, 70, 155
Afterimage, 11, 152, 171
Agee, James, 17, 100, 107, 108, 113, 118
Agha, M. F., 116, 138
Alberti, Leon Battista, 25
Albright Art School, 210
Alexander, Vikky, 263
Alfred University, 171
alienation, 59, 196
allegory, 31, 43 ; metaphor, 7, 65- 67, 136,
146, 175, 178, 191 - 94, 217
Allen, Neil Walsh, 6
allusion, 135- 36
Alvarez Bravo, Manuel, 255-56
amateurs, 23-27, 50, 71, 114, 116, 125- 27,
167, 172, 220 -24
American Amateur Photographer, 27
American Association of Magazine
Photographers, 140
American Economic Life and the Means of
Its Improvement, 88
American Photographs, Evans, 81, 98 - 99, 102
American Photography, 125, 143
Americans, The, Frank, 130-32, 176, 240
An American Exodus, Lange and Taylor, 107
"An Off-Beat View of the U.S.A. ," 130
Andre, Linda, 268
animism, 132 - 33 ; naturalism, 4, 7, 21,
35 - 36, 65 - 68, 70, 72, 75, 77, 197
Annie Mae Gudger, Hale County, Alabama,
1936, Evans, 101
Aperture, 11, 121, 135, 143- 47, 152, 157,
163, 165, 185, 190, 214, 233, 261
Apples and Gable, Lake George, 1922,
Stieglitz, 62
appropriation, 234- 35, 246, 263 - 68
Arbus, Diane, 223, 224, 232, 240
Archer, Frederick Scott, 19
archetypes, 175
Amheim, Rudolf, 6, 192
art, aesthetics and, 23- 28, 41, 58, 70, 155;
commercial art, 118; criticism as viola-
tion of, 74; defining, 244, and redefining
art, 256 -57, and principles/properties of,
31 - 33, 60, 74 ; democraticization of, 266 ;
depoliticization of, 144 ; labeling, 173 ;
designed for the camera, 246 ; photogra-
phy as, 2 - 6, 12, 14 - 23, 59, 80 - 81, 90,
91, 114, 116 - 18, 129, 134, 135, 142,
143, 155, 195, 221, 227, 234, 237,
240 - 42, 255, and photographs used as
parts of art, 245, 257, and photography
of art as art, 257 ; propaganda and art,
89 ; psychological use of, 184 - 85, 198 ;
role and status of, 188, 196, 232, 234,

-304-

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Publication Information: Book Title: Trace and Transformation: American Criticism of Photography in the Modernist Period. Contributors: Joel Eisinger - author. Publisher: University of New Mexico Press. Place of Publication: Albuquerque. Publication Year: 1995. Page Number: 304.
    
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