nothing more than that the content of experience is not completely accounted for in analysis in terms of cognitive factors only; that the non-cognitive' or affective factors are as truly sui generis as are the cognitive factors. Affective content includes not only the elements (or quasi-elements) just mentioned, but also the more complex factors called emotions and emotional tone. For example, the content may be joyful, pathetic, humorous, or revolting. Pleasure, pain, interest, desire, and repugnance, may be designated as feelings, or, abstractly, as feeling. Pleasure and pain are designated as hedonic tone or algo-hedonic tone; the experience of pleasure and pain, considered generally, is hedono- algesis. 1 Desire and aversion are designated ad- jectively as conative or appetitive, and the experience of them as conation or appetition. ____________________ | 1 | The term " feeling tone" is commonly given to pleasure- pain alone: frequently the two qualities are designated as pleasantness and unpleasantness. Some psychologists apply the term "feeling tone" also to certain obviously sensory elements or factors, especially strain and relaxation. "Feeling" has been much used in the past in the sense of emotion, but is not so used at present in strict discourse. Often, however, the term is extended to cover what we have designated as relational content; thus, a "feeling of similarity" is not an uncommon expression. In loose speak- ing, "feeling" is used to designate any sort of content what- ever. | -243- |