The competition is not great, it is true. Hess, sitting in the num- ber two spot, is really frightening to look at, the skin drawn drum- tight around the skull bones, eyes under bushy black brows so deepset they are indeterminate shadows at the distance of a few feet. What goes on behind those eyes, no one knows. The claim is, almost nothing. He is supposed to be suffering from amnesia and in repose his face is that of a sleepwalker lifting himself from the cabinet of Dr. Caligari. But there is a flicker of consciousness somewhere within; occasionally he draws back his upper lip, show- ing large even-spaced teeth, and you suddenly realize he is smiling. Ribbentrop, sitting next to Hess, looks indeed a broken man. Sparse gray hair crowns a thin face with sharp nose and small chin. There is about him an air of fright and of immense weari- ness; he walks as if he had been Hitler's foreign minister for a thousand years. Farther along in the front row are Funk and Streicher, both short, chunky, and gross-featured, a pair of caricatures sprung full-blown from Streicher's own Jew-baiting newspaper, Der Stuermer. Schacht is in the first row, too; it is an honor he does not seem to enjoy very much. There is something of the catfish in the inverted U of his mouth and his goggly eyes. He wears an air of complete aloofness; he cannot understand what has hap- pened that he, ex-president of the great Reichsbank, intimate of honored American and British and French figures in the banking world, should now find himself in the dock with criminals. The rest of the faces are hardly worth recalling. Meet Jodi, Keitel, Doenitz, Rosenberg, Frank, Speer, Fritzsche under other circumstances, and you might be meeting a salesman, a physician, a lawyer, a real estate broker. Kaltenbrunner of the lantern jaw and Sauckel of the Hitler mustache, stand out a little; I've seen their type on "Wanted" posters in American post offices. But truthfully I've also seen it behind delicatessen counters and the small barred windows of a bank teller's cubicle. "What makes this inquest significant," Jackson's quiet voice goes on, "is that these prisoners represent sinister influences that will lurk in the world long after their bodies have returned to dust." -4- |