CHAPTER FOURTEEN COMEDY AFTER TRAGEDY, BUT COMEDY WITH A BAD ENDING OUR ANCESTORS in their desire for relief from somber emotions liked to see a farce comedy follow a tragedy; thus, in those days, a performance of Hamlet concluded with Box and Cox. In the same way the great tragedy of Sharpsburg (Antietam) was fol- lowed by the comedy of the unseating of Mcclellan after a curi- ous series of maneuvers. The last shots along the Antietam had hardly died out before a storm of criticism broke over Mcclellan's devoted head. There was immense relief in Washington when the news came that Lee was back across the Potomac, but the relief was immediately followed by chagrin that Mcclellan had not destroyed the South- erner and his leonine army. As we have noted, Mcclellan was not a little responsible for this criticism by announcing a "com- plete victory," when, as a matter of fact, he had fought for life and had not known the outcome of the battle on the morning of September 18. It was not until Lee retreated across the river that the realization swept over him that he had won a victory. Lee had appeared extremely formidable to the authorities in those first two weeks of September, 1862; but Lee, on Virginia soil again with a shattered army, seemed to be easy pickings to the armchair strategists in the War Department. How near the Union had been to complete demoralization is evident from many things, among them the panic of the authori- ties in Pennsylvania. On September 19, Brigadier General John F. Reynolds reported to Halleck from Hagerstown that he had expected to bring into the field 14,000 men but that, to his sur- -211- |