in it, such as Apollinaire and Cocteau. Still other artists were close to it and yet by the magnitude and universality of their work, surpassed it: Picasso, for example, who is the subject of the next to the last chapter. The opening studies are on the immediate often-acknowledged ances- tors of surrealism: on Lautréamont, first, whose impor- tance and influence have been stressed more steadfastly than those of any other writer; and then, on Rimbaud and Mallarmé, who have enjoyed much more intermittent favor with the surrealists than Lautréamont. Of course, many other names will be evoked and accredited. The sur- realists were always concerned with discovering in the past, both near and distant, confirmation for their beliefs and practices. They demolish their adversaries as vigorously as they extol spirits kindred to their own. Thus Breton claims Heraclitus as a surrealist dialectician, and Baudelaire as a surrealist moralist. Not only do the surrealists traffic fa- miliarly with such obvious names as Sade, Hegel, Marx, Freud, Saint-Just, but they also permit entrance into their chapel, through a side-door perhaps and a bit grudgingly, to Dante, Shakespeare, Gide. The term itself of surrealism has already passed through the period when it was considered a joke, especially by academic circles and even serious critics who refused to pay any attention to it. There is still some scoffing at its expense, but I believe it comes now from those who are totally uninitiated to art. I spent several days at the Inter- national Exposition in Paris of 1938, which has been the biggest show put on by the surrealists to date, and still remember the tittering and even jeering on the part of some of the by-standers. And today in the Museum of Mod- ern Art in New York and in the Art Institute in Chicago one can witness the same attitude of scepticism and marked distaste in some of the tourists who turn up there. The importance and the seriousness of surrealism equal now the seriousness granted the other two contemporary move- -12- |