Alexander I, whom his rival, Napoleon, called 'a Greek of the Late Empire'. 'Do we not reproach a man of history placed at the very height of the human scale, shining with rays of glory, a man subject to the powerful influences of intrigue, enticement and flattery, one who feels himself in every moment of his life responsible for any- thing that may happen in Europe, a real and living man, always drawn towards ideals of beauty and truth; do we not reproach this figure from the century just past, not for having lacked virtues, but for having opinions on the destiny of humanity which differ from those of a professor occupied from his youth only in writing?' This eloquent tirade needs no comment. I have taken my hero such as he was, a child of his time, of his surroundings. I have taken him as he was seen by a Pole who was first his page and afterwards his political enemy, 'a bizarre mixture of defects and qualities, of meanness and greatness, brutal and chivalrous, courageous to fool- hardiness and faint-hearted as a poltroon, just, yet tyrannical, generous and cruel, fond of ostentation and liking simplicity'. This judgment of Nicholas by Prince Lubomirski I accept as my own. In choosing Nicholas I, in preference to any other figure from Russia's past, I have been moved by the following considerations. First of all, it seemed to me that his portrait would complete, like the third volet of a triptych, those I have previously painted of Baron de Stein and Prince Metternich. In themselves, these three men--the autocrat of all the Russias, the man who revived Prussia and the great Chancellor of Austria--do they not represent the political life of Central and Eastern Europe in the first half of the nineteenth century, an epoch from which spring the conflicts of the contemporary world? I have ascertained also that, unlike the other great Russian sovereigns, Nicholas has had no biographer. The well-known work of N. Schilder (besides being based on incomplete documentation and hampered by censorship) remains unfinished: the account goes no further than 1831. That of the Baltic Th. Schiemann is not a biography, but a History of Russia in the Reign of Nicholas: and the author 'a champion of Germanism against overweening Slavism' according to his friend, William II's own words, 1 could not be objective. During recent years, many Soviet publications have thrown a new light on the revolutionary episodes in his reign and on social conditions in Russia between 1825 and 1856, also on the dramatic end of my hero. Researches made in 1938 and 1939 in the Secret Archives of Vienna have enabled me to complete my information by drawing on valuable unpublished items found in ____________________ | 1 | Ereignisse und Gestalten, p. 165. | -viii- |