No city in the world appeals more strongly to the poetic imagination than Venice. Her site, her people, her history, her institutions, her art, are all alike unique. Appearing first as a little group of fishermen's huts on a sand-bank in the midst of a waste of waters, her soli- tude and her humility afforded protection to successive bands of exiles flying from ancient cities of the main- land to escape from the scourge of the Northern bar- barians, who thronged through the passes of the East- ern Alps to share in the spoils of the ruined empire of Rome. Secure within her broad moat of waves, her foundations were firmly set. ★ Rising in the dawn of modern Europe, she linked the tradition of the old civilization to the fresh conditions of the new. In- dependent from the first, her people framed and ad- ministered their own institutions. The destiny that ruled her beginnings seemed, as she grew, to have had no element of chance, but to have been de- termined by foresight and wise counsel. Her posi-
"Hæc celebris et indyta civitas pro pavimento mare, pro muro aquas maris, et pro tecto ccelum habet". Durantino, De Amplissimis Laudibus Venetæ Urbis ( 1522), p. 36 b.
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Publication Information: Book Title: Historical Studies of Church-Building in the Middle Ages: Venice, Siena, Florence. Contributors: Charles Eliot Norton - author. Publisher: Harper & Brothers. Place of Publication: New York. Publication Year: 1880. Page Number: 39.
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