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II

VENICE AND ST. MARK'S.

No city in the world appeals more strongly to the
poetic imagination than Venice. Her site, her people,
her history, her institutions, her art, are all alike unique.
Appearing first as a little group of fishermen's huts on
a sand-bank in the midst of a waste of waters, her soli-
tude and her humility afforded protection to successive
bands of exiles flying from ancient cities of the main-
land to escape from the scourge of the Northern bar-
barians, who thronged through the passes of the East-
ern Alps to share in the spoils of the ruined empire of
Rome. Secure within her broad moat of waves, her
foundations were firmly set. Rising in the dawn of
modern Europe, she linked the tradition of the old
civilization to the fresh conditions of the new. In-
dependent from the first, her people framed and ad-
ministered their own institutions. The destiny that
ruled her beginnings seemed, as she grew, to have
had no element of chance, but to have been de-
termined by foresight and wise counsel. Her posi-

____________________
"Hæc celebris et indyta civitas pro pavimento mare, pro muro
aquas maris, et pro tecto ccelum habet".
Durantino, De Amplissimis
Laudibus Venetæ Urbis
( 1522), p. 36 b.

-39-

Questia, a part of Gale, Cengage Learning. www.questia.com

Publication Information: Book Title: Historical Studies of Church-Building in the Middle Ages: Venice, Siena, Florence. Contributors: Charles Eliot Norton - author. Publisher: Harper & Brothers. Place of Publication: New York. Publication Year: 1880. Page Number: 39.
    
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