Page:  of 228
 
5. THE PROBLEM OF ART CRITICISM 58
6. THE ELEMENTS OF ART 61
7. ORGANIZATION 64
8. THE MANIPULATION OF VISUAL SPACE 64
9. THE CRITERIA OF AESTHETIC VALUE 65
10. EXPRESSIVE QUALITIES 75
11. ABSTRACT versus ASSOCIATIVE CHARACTER OF ART: GENERAL
AND CIRCUMSTANTIAL 		79
12. SUMMARY 83
Bibliography 86
Chapter III
EXPERIMENTAL (MODERN) ART
1. CONTEMPORARY ART AS THE LABORATORY OF ART IN
GENERAL 		89
2. MOVEMENTS CONCERNED CHIEFLY WITH COMPOSITION AND
TECHNIQUE 		91
A. Impressionism 91
B. Movements Concerned with a More Effective Use of
Pigments: Luminism, Pointillism, and Divisionism 		95
3. CREATION OF A MORE CONVINCING ILLUSION OF DEPTH:
CUBISM 		97
4. ATTAINMENT OF SUPERIOR UNITY AND EFFECTIVENESS BY
SPECIAL TECHNIQUES: POST-IMPRESSIONISM 		99
5. MOVEMENTS OF DYNAMIC CHARACTER: FUTURISM, SIMUL-
TANEISM 		104
6. MOVEMENTS CONCERNED WITH SUBJECTIVE STATES OF THE
PRODUCER: DADA, SURREALISM, EXPRESSIONISM 		108
7. THE TENDENCY TOWARD SIMPLIFICATION AND ABSTRACTION 113
8. SUMMARY 115
Bibliography 117
Chapter IV
CREATIVE PRODUCTION AND ARTISTIC TALENT
1. THE NATURE OF CREATIVE EXPRESSION 120
2. THE COMPONENTS OF ARTISTIC APTITUDE: MANUAL SKILL 127
3. THE INTERLINKAGE OF HEREDITARY AND ENVIRONMENTAL
FACTORS 		130

-x-

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Publication Information: Book Title: Art in Human Affairs: An Introduction to the Psychology of Art. Contributors: Norman Charles Meier - author. Publisher: McGraw-Hill. Place of Publication: New York. Publication Year: 1942. Page Number: x.
    
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