III. PHYSIOLOGY AND PSYCHOLOGY IN RELATION TO MUSIC (Cont.)
Nerves, Reflex Action; The Structure and Func- tion of the Ear; Tactile Aspects of Sound and Bone Conduction; Sensory Thresholds and Reaction Times; Fatigue; Pitch; Intertones, Subjective Tones; Loudness; Quality; The Sense of Time; Volume and Brightness as Characteristics of Tone; Masking Effect; Binaural Phenomena; The Musical Interval; Scales; Rhythm; Melody; Harmony; Tonality and Cadence; Consonance and Dissonance; Thinking, Imagination, and Inspiration; Emotion, Feeling, and Mood; Learning and Memory; Musical Intelligence; Tests and Measurements; Composition; Perform- ance; Listening to Music and the Effects of Music.
Approaches to Aesthetics; Artistic and Scientific Methods; The Function of Analysis; Definition of the Term "Aesthetics"; The Field of Aesthetics; The Aesthetic Experience; The Aesthetic Object; The Relation of the Arts; Material; Form; Intrinsic Orders; Psychological Factors; Principles of De- sign; Manners of Treatment; Compositional Pat- terns; Expression, Content, or Meaning; Music as Autonomous Art; Music as Heteronomous Art; Types of Expression; Value; Taste; Criticism; Ap- plied Musical Aesthetics.
Theory and Practice; Elementary Theory; Melody; Rhythm; Harmony and Counterpoint Contrasted; Harmony; Counterpoint; Instrumentation and Or- chestration; Form.
Contributions of Psychology to Music Education; General Theory of Teaching; Curriculum Studies; Individual Instruction; Group Instruction; Mate- rials and Methods of Teaching; Vocal Music; Instrumental Music; Elementary Musicianship; Har- mony; Counterpoint; Instrumentation and Orches-
-xii-
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Publication Information: Book Title: Introduction to Musicology: A Survey of the Fields, Systematic & Historical, of Musical Knowledge & Research. Contributors: Glen Haydon - author. Publisher: Prentice-Hall, Inc.. Place of Publication: New York. Publication Year: 1941. Page Number: xii.
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