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Acknowledgments

The essays in this volume were first read at the conference entitled "Music
in Chinese Ritual: Expressions of Authority and Power," organized by the
three editors of this volume and held on the campus of the University of
Pittsburgh May 5 to 9, 1993. The editors thank the invited discussants to
the conference for their comments on the papers: David McAllester, Victor Mair
, Rulan Chao Pian, and Anthony Seeger. The editors also thank the
Asian Studies Program of the University of Pittsburgh for providing assis-
tance in the organization of the conference. The conference and the sub-
sequent preparation of the manuscript were supported by a major grant
from the National Endowment for the Humanities.

A cassette tape of recorded examples of music mentioned in Chap-
ters 3, 4, 5, and 6 is available for purchase at the cost of U.S.$8.00, which
includes mailing and handling. Please send your name and address, along
with a check (payable to the University of Pittsburgh and drawn on a U.S.
bank) or an International Money Order to "Harmony and Counterpoint,"
Music Department, University of Pittsburgh, Pittsburgh, PA 15260, USA.
This offer expires on January 1, 1999.

B.Y., E.S.R., R.S.W.

-v-

Questia, a part of Gale, Cengage Learning. www.questia.com

Publication Information: Book Title: Harmony and Counterpoint: Ritual Music in Chinese Context. Contributors: Bell Yung - editor, Evelyn S. Rawski - editor, Rubie S. Watson - editor. Publisher: Stanford University. Place of Publication: Stanford, CA. Publication Year: 1996. Page Number: v.
    
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