PUBLIC COLLECTIONS: An American Place (the fullest and best
collection of Marin work in every medium, -- etching, water color, and
oil covering every period from 1905 to the present day); Brooklyn
Museum of Art; Chicago Art Institute (good examples of Marin early
and middle period water colors); Columbus Gallery of Fine Arts (the
most important public collection of Marin early work in water color
from about 1910 to 1923, -- consisting of some thirty examples, a be-
quest from the Ferdinand Howald Estate); Cleveland Museum of Art;
Detroit Art Institute; Fogg Art Museum, Harvard University (several
fine water colors from Marin early Adirondacks and later White Moun-
tains periods); Gallery of Living Art (an important group of Marin's
early work in water color and oil); Luxembourg Museum (one oil, "The
Mills at Meaux" of 1906); Metropolitan Museum of Art (a good collec-
tion of early etchings); University of Minnesota Art Museum; Museum
of Modern Art (several early and late water colors from the collections
of Mrs. John D. Rockefeller Jr., and Philip L. Goodwin); Newark
Museum of Art (one excellent water color); Phillips Memorial Gallery
(chiefly water colors documenting every important phase of Marin
work from about 1910 to 1930); Providence Museum of Art; San Fran-
cisco Museum of Art; The Addison Gallery of American Art, Phillips
Exeter Academy; Whitney Museum of American Art (several fine early
water colors and prints); E. Weyhe Gallery.

PRIVATE COLLECTIONS: Albert Boni; Charles Demuth; J. F. Dewald;
Edsel Ford; Albert Gallatin (large group of early water colors); Morton
Goldsmith; Philip L. Goodwin (excellent collection of water colors of all
periods); Edith Halpert; Paul Haviland; Melville and Florence Kane;
Gaston Lachaise; Samuel Lewisohn; Mrs. Aline Liebmann; Frank Jewett
Mather, Jr.; Julius Meier-Graefe; Mrs. Eugene Meyer (important collec-
tion of Marin's early, "repercussive," New York water colors); Gerritt
Miller (one of the few complete collections of Marin's etchings); Dorothy
S. Norman; Georgia O'Keeffe; Mrs. John D. Rockefeller, Jr.; Paul Rosen-
feld; Mr. and Mrs. Arthur Schwab; Herbert J. Seligmann; Leo Stein;
Alfred K. Stern; Alfred Stieglitz (perhaps the best, single, private collec-
tion of Marin's water colors and etchings covering every phase of his
work in these media from 1906 to the present day); Paul and Rebecca
Strand; Robert H. Tannahill (best private collection of Marin's recent
oil paintings); Edward M. M. Warburg; Mrs. Alma Wiener; Willard
Huntington Wright ( S. S. Van Dyne).

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