to draw from them and squeeze out of them all
the literature they contained. Tremendously
headstrong, he has been known to keep a con-
tributor under lock and key until his article was
finished. Authors abused him, quarrelled with
him, and then came back to him again. A review
which had, among many others, as contributors
for its first numbers, George Sand, Vigny, Mus-
set, Mérimée, may be said to have started well.
George Sand tells us that after a battle with the
Revue de Paris and the Revue des Deux Mondes,
both off which papers wanted her work, she bound
herself to the Revue des Deux Mondes, which was
to pay her a hundred and sixty pounds a year for
thirty-two pages of writing every six weeks. In
1833, the Revue des Deux Mondes published Léila,
and on January 1, 1876, it finished publishing
the Tour de Percemont. This means an unin-
terrupted collaboration, extending over a period
of forty-three years.

The literary critic of the Revue des Deux Mondes
at that time was a man who was very much re-
spected and very little liked, or, in other words,
he was universally detested. This critic was
Gustave Planche. He took his own rôle too
seriously, and endeavoured to put authors on
their guard about their faults. Authors did not

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