A Picasso, La Femme aux Poires, 1909. Oil, 36½″ × 24¼″. Collection Mr. and Mrs. Samuel A. Marx, Chicago. frontispiece
B Braque, Bottle, Glass and Pipe, 1913. Papier collé, 18⅞″ × 23⅛″. Collection Lady Hulton, London. facing page 108
C Gris, The Guitar, 1915. Oil, 40″ × 26″. Collection Mr. and Mrs. Jacques Gelman, Mexico City. 132
D Léger, Contrastes des Formes, 1913. Oil, 51⅜″ × 38⅜″. Philadelphia Museum of Art, Arensberg Collection. 178
MONOCHROMES
at the end of the book
PICASSO
Plates 1 to 22 are copyright by SPADEM, Paris
1 Les Demoiselles d'Avignon, 1907. Oil, 96″ × 92″. The Museum of Modern Art, New York.
2A Nu à la Draperie, 19½07. Oil, 60¾″ × 40½″. Museum of Modern Western Art, Moscow.
2B La Paysanne, 1908. Oil, 35½″ × 22⅛″. Museum of Modern Western Art, Moscow.
3A Landscape, La Rue des Bois, 1908. Oil, 36½″ × 29¼″. Museum of Modern Western Art, Moscow.
3B Le Compotier, 1908-9. Oil, 29¼″ × 24″. The Museum of Modern Art, New York.
4A Nude Woman, 1908-9. Oil, 45¾″ × 35″. The Louise and Walter Arensberg Collection, Philadelphia Museum of Art.
-7-
Questia, a part of Gale, Cengage Learning. www.questia.com
Publication Information: Book Title: Cubism: A History and an Analysis, 1907-1944. Contributors: John Golding - author. Publisher: Faber and Faber. Place of Publication: London. Publication Year: 1959. Page Number: 7.
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